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Contents ( 29)
  1. THE DEPTFORD TRILOGY
  2. Contents
  3. FIFTH BUSINESS
  4. 1
  5. Mrs Dempster
  6. 2
  7. I Am Born Again
  8. 3
  9. My Fool-Saint
  10. 4
  11. Gyges and King Candaules
  12. 5
  13. Liesl
  14. 6
  15. The Soirée of Illusions
  16. THE MANTICORE
  17. 1
  18. Why I Went to Zürich
  19. 2
  20. David Against the Trolls
  21. 3
  22. My Sorgenfrei Diary
  23. WORLD OF WONDERS
  24. 1
  25. A Bottle in the Smoke
  26. 2
  27. Merlin’s Laugh
  28. 3
  29. Le Lit de Justice

“No, no; we went our ways,” said Liesl. “And you know you were never much of a lover, Magnus. What does that matter? You were a great magician, and has any great magician ever been a great lover? Look at Merlin: his only false step was when he fell in love and ended up imprisoned in a tree for his pains. Look at poor old Klingsor: he could create gardens full of desirable women, but he had been castrated with a magic spear. You’ve been happy with your magic. And when I gained enough confidence to go out into the world again, I was happy in a casual, physical way with quite a few people, and some of the best of them were of my own sex.”

“Yes, indeed,” said Magnus. “Who snatched the Beautiful Faustina from under my very nose?”

“Oh, Faustina, Faustina, you always bring her up when you feel a grievance. You must understand, gentlemen, that when my grandfather died, and I was heir to a large fortune, Magnus and I realized a great ambition we had in common; we set up a magic show, which developed and gained sophistication and gloss until it became the famous Soirée of Illusions. It takes money to get one of those things on its feet, as you well know, but when it is established it can be very profitable.

“You can’t have a magic show without a few beautiful girls to be sawn in two, or beheaded, or whisked about in space. Sex has its place in magic, even if it is not the foremost place. As ours was the best show in existence, or sought to become the best, we had to have some girls better than the pretty numskulls who are content to take simple jobs in which they are no more than living stage properties.

“I found one in Peru, a great beauty indeed but not far evolved in the European sense; a lovely animal. I bought her, to be frank. You can still buy people, you know, if you understand how to go about it. You don’t go to a peasant father and say, ‘Sell me your daughter’; you say, ‘I can open up a splendid future for your daughter, that will make her a rich lady with many pairs of shoes, and as I realize you need her to work at home, I hope you won’t be offended if I offer you five hundred American dollars to recompense you for your loss.’ He isn’t offended; not in the least. And you make sure he puts his mark on an official-looking piece of paper that apprentices the girl to you, to learn a trade—in this case the trade of sempstress, because actress has a bad sound if there is any trouble. And there you are. You wash the girl, teach her to stand still on stage and do what she is told, and you clout her over the ear if she is troublesome. Quite soon she thinks she is a great deal more important than she really is, but that can be endured.