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Contents (29)
  1. THE DEPTFORD TRILOGY
  2. Contents
  3. FIFTH BUSINESS
  4. 1
  5. Mrs Dempster
  6. 2
  7. I Am Born Again
  8. 3
  9. My Fool-Saint
  10. 4
  11. Gyges and King Candaules
  12. 5
  13. Liesl
  14. 6
  15. The Soirée of Illusions
  16. THE MANTICORE
  17. 1
  18. Why I Went to Zürich
  19. 2
  20. David Against the Trolls
  21. 3
  22. My Sorgenfrei Diary
  23. WORLD OF WONDERS
  24. 1
  25. A Bottle in the Smoke
  26. 2
  27. Merlin’s Laugh
  28. 3
  29. Le Lit de Justice

Love,

L.V.

And that, Headmaster, is all I have to tell you.

Sankt Gallen

1970

THE MANTICORE

1

Why I Went to Zürich

(1)

When did you decide you should come to Zürich, Mr Staunton?

“When I heard myself shouting in the theatre.”

“You decided at that moment?”

“I think so. Of course I put myself through the usual examination afterward to be quite sure. But I could say that the decision was made as soon as I heard my own voice shouting.”

“The usual examination? Could you tell me a little more about that, please.”

“Certainly. I mean the sort of examination one always makes to determine the nature of anyone’s conduct, his degree of responsibility, and all that. It was perfectly clear. I was no longer in command of my actions. Something had to be done, and I must do it before others had to do it on my behalf.”

“Please tell me again about this incident when you shouted. With a little more detail, please.”

“It was the day before yesterday, that is to say November ninth, at about ten forty-five p.m. in the Royal Alexandra Theatre in Toronto, which is my home. I was sitting in a bad seat in the top gallery. That in itself was unusual. The performance was something rather grandiosely called The Soirée of Illusions—a magic show, given by a conjuror called Magnus Eisengrim. He is well known, I understand, to people who like that kind of thing. He had an act which he called The Brazen Head of Friar Bacon. A large head that looked like brass, but was made of some almost transparent material, seemed to float in the middle of the stage; you couldn’t see how it was done—wires of some sort, I suppose. The Head gave what purported to be advice to people in the audience. That was what infuriated me. It was imprudent, silly stuff hinting at scandal—adulteries, little bits of gossip, silly, spicy rubbish—and I felt irritation growing in me that people should be concerned about such trash. It was an unwarranted invasion of privacy, you understand, by this conjuror fellow whose confident assumption of superiority—just a charlatan, you know, seeming to patronize serious people! I knew I was fidgeting in my seat, but it wasn’t until I heard my own voice that I realized I was standing up, shouting at the stage.”

“And you shouted—?”

“Well, what would you expect me to shout? I shouted, as loud as I could—and that’s very loud, because I have some experience of shouting—I shouted, ‘Who killed Boy Staunton?’ And then all hell broke loose!”

“There was a furore in the theatre?”

“Yes. A man standing in a box gave a cry and fell down. A lot of people were murmuring and some stood up to see who had shouted. But they quieted down immediately the Brazen Head began to speak.”

“What did it say?”

“There are several opinions. The broadcast news reported that the Head suggested he had been killed by a gang. All I heard was something about ‘the woman he knew—the woman he did not know,’ which, of course, could only mean my stepmother. But I was getting away as fast as I could. It is a very steep climb up to the doors in that balcony, and I was in a state of excitement and shame at what I had done, so I didn’t really hear well. I wanted to get out before I was recognized.”