Contents ( 29)
- THE DEPTFORD TRILOGY
- Contents
- FIFTH BUSINESS
- 1
- Mrs Dempster
- 2
- I Am Born Again
- 3
- My Fool-Saint
- 4
- Gyges and King Candaules
- 5
- Liesl
- 6
- The Soirée of Illusions
- THE MANTICORE
- 1
- Why I Went to Zürich
- 2
- David Against the Trolls
- 3
- My Sorgenfrei Diary
- WORLD OF WONDERS
- 1
- A Bottle in the Smoke
- 2
- Merlin’s Laugh
- 3
- Le Lit de Justice
“I suppose I was. But you make the mistake of thinking I was pleased with myself. Not a bit of it. I was trying to learn the ropes of another mode of life—”
“Indeed you were! You were trying to be Sir John off the stage as well as on. And what a caricature you made of it! Walking like Spring-Heeled Jack because Frank Moore had tried to show you something about deportment, and parting your greasy long hair in the middle because Sir John was the last actor on God’s earth to do so, and wearing clothes that would make a cat laugh because Sir John wore eccentric duds that looked as if he’d had ’em since Mafeking Night.”
“Do you think I’d have been better off to model myself on you?”
“I was no prize as an actor. Don’t think I don’t know it. But at least I was living in 1932, and you were aping a man who was still living in 1902, and if there hadn’t been a very strong uncanny whiff about you you’d have been a total freak.”
“Ah, but there was an uncanny whiff about me. I was Mungo Fetch, don’t forget. We fetches can’t help being uncanny.”
Lind intervened. “Dear friends,” he said, being very much the courtly Swede, “let us not have a quarrel about these grievances which are so long dead. You are both different men now. Think, Roly, of your achievements as a novelist and broadcaster; One, and the Genius and the Cantab are surely buried under that? And you, my dear Eisengrim, what reason have you to be bitter toward anyone? What have you desired that life has not given you? Including what I now see is a very great achievement; you modelled yourself on a fine actor of the old school, and you have put all you learned at the service of your own art, where it has flourished wonderfully. Roly, you sought to be a literary man, and you are one; Magnus, you wanted to be Sir John, and it looks very much as if you had succeeded, in so far as anyone can succeed—”
“Just a little more than most people succeed,” said Ingestree, who was still hot; “you ate poor old Sir John. You ate him down to the core. We could see it happening, right from the beginning of that tour.”
“Did I really?” said Magnus, apparently pleased. “I didn’t know it showed so plainly. But now you are being melodramatic, Roly. I simply wanted to be like him. I told you, I apprenticed myself to an egoism, because I saw how invaluable that egoism was. Nobody can steal another man’s ego, but he can learn from it, and I learned. You didn’t have the wits to learn.”
“I’d have been ashamed to toady as you did, whatever it brought me.”
“Toady? Now that’s an unpleasant word. You didn’t learn what there was to be learned in that company, Ingestree. You were at every rehearsal and every performance of The Master of Ballantrae that I was. Don’t you remember the splendid moment when Sir John, as Mr Henry, said to his father: ‘There are double words for everything: the word that swells and the word that belittles; my brother cannot fight me with a word.’ Your word for my relationship to Sir John is toadying, but mine is emulation, and I think mine is the better word.”