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Contents ( 29)
  1. THE DEPTFORD TRILOGY
  2. Contents
  3. FIFTH BUSINESS
  4. 1
  5. Mrs Dempster
  6. 2
  7. I Am Born Again
  8. 3
  9. My Fool-Saint
  10. 4
  11. Gyges and King Candaules
  12. 5
  13. Liesl
  14. 6
  15. The Soirée of Illusions
  16. THE MANTICORE
  17. 1
  18. Why I Went to Zürich
  19. 2
  20. David Against the Trolls
  21. 3
  22. My Sorgenfrei Diary
  23. WORLD OF WONDERS
  24. 1
  25. A Bottle in the Smoke
  26. 2
  27. Merlin’s Laugh
  28. 3
  29. Le Lit de Justice

“ ‘Better give him a good honest pint of half-and-half to straighten him out,’ said Frank, and signalled to the barman.

“They seemed to know what Milady had been up to, and were ready to put it in language that I could understand, which was kind of them. They made it seem very simple: I was to imitate Sir John, but I was to do it with more style than I had been showing. I was supposed to be imitating a great actor who was imitating an eighteenth-century gentleman who was imitating a Commedia dell’ Arte comedian—that’s how simple it was. And I was doing everything too bloody fast, and slick and cheap, so I was to drop that and catch Sir John’s rhythm.

“ ‘But I don’t get it about all this rhythm,’ I said. ‘I guess I know about rhythm in juggling; it’s getting everything under control so you don’t have to worry about dropping things because the things are behaving properly. But what the hell’s all this human rhythm? You mean like dancing?’

“ ‘Not like any dancing I suppose you know,’ said Holroyd. ‘But yes—a bit like dancing. Not like this Charleston and all that jerky stuff. More a fine kind of complicated—well, rhythm.’

“ ‘I don’t get it at all,’ I said. ‘I’ve got to get Sir John’s rhythm. Sir John got his rhythm from somebody called the Guvnor. What Guvnor? Is the whole theatre full of Guvnors?’

“ ‘Ah, now we’re getting to it,’ said old Frank. ‘Milady talked about the Guvnor, did she? The Guvnor was Irving, you muggins. You’ve heard of Irving?’

“ ‘Never,’ I said.

“Old Frank looked wonderingly at Holroyd. ‘Never heard of Irving. He’s quite a case, isn’t he?’

“ ‘Not such a case as you might think, Frank,’ said Holroyd. ‘These kids today have never heard of anybody. And I suppose we’ve got to remember that Irving’s been dead for twenty-five years. You remember him. You played with him. I just remember him. But what’s he got to do with a lad like this?—Well, now just hold on a minute. Milady thinks there’s a connection. You know how she goes on. Like a loony, sometimes. But just when you can’t stand it any more she proves to be right, and righter than any of us. You remember where I found you?’ he said to me.

“ ‘In the street. I was doing a few passes with the cards.’

“ ‘Yes, but don’t you remember where? I do. I saw you and I came back to rehearsal and said to Sir John, I think I’ve got what we want. Found him under the Guvnor’s statue, picking up a few pennies as a conjuror. And that was when Milady pricked up her ears. Oh Jack, she said, it’s a lucky sign! Let’s see him at once. And when Sir John wanted to ask perfectly reasonable questions about whether you would do for height, and whether a resemblance could be contrived between you and him, she kept nattering on about how you must be a lucky find because I saw you, as she put it, working the streets under Irving’s protection. You know how the Guvnor stood up for all the little people of the theatre, Jack, she said. I’m sure this boy is a lucky find. Do let’s have him. And she’s stood up for you ever since, though I don’t suppose you’ll be surprised to hear that Sir John wants to get rid of you.’