It was clear, and after lingering a few minutes, just to show that they could not be easily dismissed, Ingestree, and Jurgen Lind, and Kinghovn left us.

(2)

Both Liesl and I went with Magnus the following morning on his sentimental expedition. Liesl wanted to know who Milady was; her curiosity was aroused by the tenderness and reverence with which he spoke of the woman who appeared to Ingestree to be a figure of fun. I was curious about everything concerning him. After all, I had my document to consider. So we both went with him to buy the roses. Liesl protested when he bought an expensive bunch of two dozen. “If you leave them in the street, somebody will steal them,” she said; “the gesture is the same whether it’s one rose or a bundle. Don’t waste your money.” Once again I had occasion to be surprised at the way very rich people think about money; a costly apartment at the Savoy, and a haggle about a few roses! But Eisengrim was not to be changed from his purpose. “Nobody will steal them, and you’ll find out why,” said he. So off we went on foot along the Strand, because Magnus felt that taking a taxi would lessen the solemnity of his pilgrimage.

The Irving monument stands in quite a large piece of open pavement; near by a pavement artist was chalking busily on the flagstones. Beside the monument itself a street performer was unpacking some ropes and chains, and a woman was helping him to get ready for his performance. Magnus took off his hat, laid the flowers at the foot of the statue, arranged them to suit himself, stepped back, looked up at the statue, smiled, and said something under his breath. Then he said to the street performer: “Going to do a few escapes, are you?”

“Right you are,” said the man.

“Will you be here long?”

“Long as anybody wants to watch me.”

“I’d like you to keep an eye on those flowers. They’re for the Guvnor, you see. Here’s a pound. I’ll be back before lunch, and if they’re still there, and if you’re still here, I’ll have another pound for you. I want them to stay where they are for at least three hours; after that anybody who wants them can have them. Now let’s see your show.”

The busker and the woman went to work. She rattled a tambourine, and he shook the chains and defied the passers-by to tie him up so that he couldn’t escape. A few loungers gathered, but none of them seemed anxious to oblige the escape-artist by tying him up. At last Magnus did it himself.

I didn’t know what he had in mind, and I wondered if he meant to humiliate the poor fellow by tying him up and leaving him to struggle; after all, Magnus had been a distinguished escape-artist himself in his time, and as he was a man of scornful mind such a trick would not have been outside his range. He made a thorough job of it, and before he had done there was a crowd of fifteen or twenty people gathered to see the fun. It is not every day that one of these shabby street performers has a beautifully dressed and distinguished person as an assistant. I saw a policeman halt at the back of the crowd, and began to worry. My philosophical indifference to human suffering is not as complete as I wish it were. If Magnus tied up the poor wretch and left him, what should I do? Interfere, or run away? Or would I simply hang around and see what happened?