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Contents ( 29)
  1. THE DEPTFORD TRILOGY
  2. Contents
  3. FIFTH BUSINESS
  4. 1
  5. Mrs Dempster
  6. 2
  7. I Am Born Again
  8. 3
  9. My Fool-Saint
  10. 4
  11. Gyges and King Candaules
  12. 5
  13. Liesl
  14. 6
  15. The Soirée of Illusions
  16. THE MANTICORE
  17. 1
  18. Why I Went to Zürich
  19. 2
  20. David Against the Trolls
  21. 3
  22. My Sorgenfrei Diary
  23. WORLD OF WONDERS
  24. 1
  25. A Bottle in the Smoke
  26. 2
  27. Merlin’s Laugh
  28. 3
  29. Le Lit de Justice

“Clearly they did want it, for though there was never any crowd around Zingara’s tent she took in twenty to twenty-five dollars a day, and after fifty a week had been paid to Jerry, that left her with more money than most of the Talent in the World of Wonders.

“ ‘You have to learn to look at people. Hardly anybody does that. They stare into people’s faces, but you have to look at the whole person. Fat or thin? Where is the fat? What about the feet? Do the feet show vanity or trouble? Does she stick out her breast or curl her shoulders to hide it? Does he stick out his chest or his stomach? Does he lean forward and peer, or backward and sneer? Hardly anybody stands straight. Knees bent, or shoved back? The bum tight or drooping? In men, look at the lump in the crotch; big or small? How tall is he when he sits down? Don’t miss hands. The face comes last. Happy? Probably not. What kind of unhappy? Worry? Failure? Where are the wrinkles? You have to look good, and quick. And you have to let them see that you’re looking. Most people aren’t used to being looked at except by the doctor, and he’s looking for something special.

“ ‘You take their hand. Hot or cold? Dry or wet? What rings? Has a woman taken off her wedding-ring before she came in? That’s always a sign she’s worried about a man, probably not the husband. A man—big Masonic or K. of C. ring? Take your time. Tell them pretty soon that they’re worried. Of course they’re worried; why else would they come to a mitt-camp at a fair? Feel around, and give them chances to talk; you know as soon as you touch the sore spot. Tell them you have to feel around because you’re trying to find the way into their lives, but they’re not ordinary and so it takes time.

“ ‘Who are they? A young woman—it’s a boy, or two boys, or no boy at all. If she’s a good girl—you know by the hair-do—probably her mother is eating her. Or her father is jealous about boys. An older woman—why isn’t my husband as romantic as I thought he was; is he tired of me; why haven’t I got a husband; is my best friend sincere; when are we going to have more money; my son or daughter is disobedient, or saucy, or wild; have I had all the best that life is going to give me?

“ ‘Suppose it’s a man; lots of men come, usually after dark. He wants money; he’s worried about his girl; his mother is eating him; he’s two-timing and can’t get rid of his mistress; his sex is wearing out and he thinks it’s the end; his business is in trouble; is this all life holds for me?

“ ‘It’s an old person. They’re worried about death; will it come soon and will it hurt? Have I got cancer? Did I invest my money right? Are my grandchildren going to make out? Have I had all life holds for me?