Contents ( 29)
- THE DEPTFORD TRILOGY
- Contents
- FIFTH BUSINESS
- 1
- Mrs Dempster
- 2
- I Am Born Again
- 3
- My Fool-Saint
- 4
- Gyges and King Candaules
- 5
- Liesl
- 6
- The Soirée of Illusions
- THE MANTICORE
- 1
- Why I Went to Zürich
- 2
- David Against the Trolls
- 3
- My Sorgenfrei Diary
- WORLD OF WONDERS
- 1
- A Bottle in the Smoke
- 2
- Merlin’s Laugh
- 3
- Le Lit de Justice
“Willard was never caught. If the Rube came to complain that he had been robbed, Charlie put on a show for him, shook his head sadly, and said that this was one of the problems that confronted honest show folks. Willard never pinched more than one bankroll in a town, and never robbed in the same town two years running. Willard liked best to steal from the local cop, but as cops rarely had much money this was a larcenous foppery which he did not often allow himself.
“Gus never caught on. Gus was a strangely innocent woman in everything that pertained to Charlie and his doings. Of course Charlie got a fifty per cent cut of what Willard stole.
“Willard knew I stole the Bible, and he was angry. Theft, he gave me to understand, was serious business and not for kids. Get caught stealing some piece of junk, and how were you to get back to serious theft again? Never steal anything trivial. This was perhaps the only moral precept Willard ever impressed on me.
“Anyhow, I had a hotel Bible, and I read it constantly, in many another hotel. The carnival business is a fair-weather business, and in winter it could not be pursued and the carnival had to be put to bed.
“That did not mean a cessation of work. The brother who never travelled with the carnival, but who did all our booking, was Jerry Wanless, and he handled the other side of the business, which was vaudeville booking. As soon as the carnival season was over, Willard and Abdullah were booked into countless miserable little vaudeville theatres throughout the American and Canadian Middle West.
“It was an era of vaudeville and there were thousands of acts to fill thousands of spots all over the continent. There was a hierarchy of performance, beginning with the Big Time, which was composed of top acts that played in the big theatres of big cities for a week or more at a stretch. After it came the Small Big Time, which was pretty good and played lesser houses in big and middle-sized cities. Then came the Small Time, which played smaller towns in the sticks and was confined to split weeks. Below that was a rabble of acts that nobody wanted very much, which played for rotten pay in the worst vaude houses. Nobody ever gave it a name, and those who belonged to it always referred to it as Small Time, but it was really Very Small Time. That was where Jerry Wanless booked incompetent dog acts, jugglers who were on the booze, dirty comedians, Single Women without charm or wit, singers with nodes on their vocal chords, conjurors who dropped things, quick-change artistes who looked the same in all their impersonations, and a crowd of carnies like Willard and some of the other Talent from the World of Wonders.