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Contents ( 29)
  1. THE DEPTFORD TRILOGY
  2. Contents
  3. FIFTH BUSINESS
  4. 1
  5. Mrs Dempster
  6. 2
  7. I Am Born Again
  8. 3
  9. My Fool-Saint
  10. 4
  11. Gyges and King Candaules
  12. 5
  13. Liesl
  14. 6
  15. The Soirée of Illusions
  16. THE MANTICORE
  17. 1
  18. Why I Went to Zürich
  19. 2
  20. David Against the Trolls
  21. 3
  22. My Sorgenfrei Diary
  23. WORLD OF WONDERS
  24. 1
  25. A Bottle in the Smoke
  26. 2
  27. Merlin’s Laugh
  28. 3
  29. Le Lit de Justice

There were whole nights when I lay awake from one o’clock till morning, calling up her image before my imagination. On such nights I would suffer, again and again, the worst horror of the lover: I would find myself unable to summon up the adored one’s face and—I write it hardly expecting to be believed except by someone who has suffered this abjection of adoration—I would shake at the blasphemy of having thus mislaid her likeness. I plagued myself with fruitless questions: would the promise of a life’s servitude be enough to make her stoop to me? And then—for common sense never wholly left me—I would think of the beautiful Faustina talking to curious, gaping boys at Colborne College, or meeting the other masters’ wives at one of their stupefying tea parties, and something like a laugh would shake me. For I was so bound to my life in Canada, you see, that I always thought of Faustina in terms of marriage and the continuance of my work.

My work! As if she could have understood what education was, or why anyone would give a life to it! When I wrestled with the problem of how it could be explained to her I was further shaken because, for the first time in my life, I began to wonder if education could be quite the splendid vocation I had, as a professional, come to think it. How could I lay my accomplishments at her beautiful feet when she was incapable of knowing what they were? Somebody—I suppose it was Liesl—told her I knew a lot about saints, and this made a kind of sense to her.

One happy day, meeting me in the corridor of the theatre after I had been watching her transformations in The Vision of Dr Faustus, she said, “Good evening, St Ramsay.”

“St Dunstan,” said I.

“I do not know St Dunstan. Was he a bad old saint who peeps, eh? O-o-h, shame on you, St Dunstan!” She made a very lewd motion with her hips and darted into the dressing-room she shared with Eisengrim.

I was in a melting ectasy of delight and despair. She had spoken to me! She knew I watched her and probably guessed that I loved her and longed for her. That bump, or grind, or whatever they called it, made it very clear that—yes, but to call me St Dunstan! What about that? And “bad old saint”—she thought me old. So I was. I was fifty, and in the chronology of a Peruvian girl who was probably more than half Indian, that was very old. But she had spoken, and she had shown awareness of my passion for her, and—

I muddled on and on, most of that night, attributing subtleties to Faustina that were certainly absurd but that I could not fight down.

Officially she was Eisengrim’s mistress, but they were always quarrelling, for he was exquisitely neat and she made a devastation of their dressing-room. Further, it was clear enough to me that his compelling love affair was with himself; his mind was always on his public personality, and on the illusions over which he fussed psychologically quite as much as Liesl did mechanically. I had seen a good deal of egotism in my life, and I knew that it starved love for anyone else and sometimes burned it out completely. Had it not been so with Boy and Leola? Still, Eisengrim and the beautiful Faustina shared quarters at the hotel. I knew it, because I had left my own place and moved into the even more Spanish establishment that housed the superior members of the company. They shared a room, but did it mean anything?