Back The Deal Goes Down
Chapters (55)
  1. Cover
  2. Other Titles
  3. Dedication
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. CHAPTER FOUR
  8. CHAPTER FIVE
  9. CHAPTER SIX
  10. CHAPTER SEVEN
  11. CHAPTER EIGHT
  12. CHAPTER NINE
  13. CHAPTER TEN
  14. CHAPTER ELEVEN
  15. CHAPTER TWELVE
  16. CHAPTER THIRTEEN
  17. CHAPTER FOURTEEN
  18. CHAPTER FIFTEEN
  19. CHAPTER SIXTEEN
  20. CHAPTER SEVENTEEN
  21. CHAPTER EIGHTEEN
  22. CHAPTER NINETEEN
  23. CHAPTER TWENTY
  24. CHAPTER TWENTY-ONE
  25. CHAPTER TWENTY-TWO
  26. CHAPTER TWENTY-THREE
  27. CHAPTER TWENTY-FOUR
  28. CHAPTER TWENTY-FIVE
  29. CHAPTER TWENTY-SIX
  30. CHAPTER TWENTY-SEVEN
  31. CHAPTER TWENTY-EIGHT
  32. CHAPTER TWENTY-NINE
  33. CHAPTER THIRTY
  34. CHAPTER THIRTY-ONE
  35. CHAPTER THIRTY-TWO
  36. CHAPTER THIRTY-THREE
  37. CHAPTER THIRTY-FOUR
  38. CHAPTER THIRTY-FIVE
  39. CHAPTER THIRTY-SIX
  40. CHAPTER THIRTY-SEVEN
  41. CHAPTER THIRTY-EIGHT
  42. CHAPTER THIRTY-NINE
  43. CHAPTER FORTY
  44. CHAPTER FORTY-ONE
  45. CHAPTER FORTY-TWO
  46. CHAPTER FORTY-THREE
  47. CHAPTER FORTY-FOUR
  48. CHAPTER FORTY-FIVE
  49. CHAPTER FORTY-SIX
  50. CHAPTER FORTY-SEVEN
  51. CHAPTER FORTY-EIGHT
  52. CHAPTER FORTY-NINE
  53. CHAPTER FIFTY
  54. CHAPTER FIFTY-ONE
  55. ACKNOWLEDGMENTS

The asphalt showed off its grit, trash rising and floating. The water showed off its glitter. Water shimmered and shuddered in puddles. Water flowed toward sewer gratings. Water splashed as tires drove through puddles. Imagine if blood was drained of its color and ran clear and took its character from all the things that it touched as it flowed through the night.

—

We went up Flatbush.

Junior’s on the left. LIU on the right, in the building that used to be the Brooklyn Paramount, where Alan Freed staged his rock ‘n’ roll shows: Chuck Berry, Frankie Avalon, Jackie Wilson, Bobby Rydell, Santo & Johnny, The Elegants, The Royal Teens, Duane Eddy, The Cleftones, King Curtis, The Del Vikings.

An easy uphill slope, past the corner of Myrtle Avenue, where there used to be an el, then onto the upper level of the Manhattan Bridge. There was nothing to block the wind. It came harder, battering the windows with rain, the wipers, whop, whop, whop, one of them with a little whine as it dragged on the glass. It was hard to see the cars in front of us. No matter. We were on the bridge, nowhere to go but straight. Once we were off it, in a landscape ruled by traffic lights and the rules randomly and constantly disrupted by vehicles double parking, trying to make turns, and maneuvering around each other, following was going to become difficult. It was time to think. Lift the game out of mere physical reality, up into the realm of thought. Go from the movement of a machine into a construct of the mind that dictated it. An obscenely fancy way to say guess where they’re going. Yet that’s how the figuring felt, as if I were lifting that small part of the pattern they had already created, extending it into the pattern they were going to create, and seeing it as if it already existed, as if the car would be driven by predestination, going where it must and where I must follow.

They took that first early exit, on to Chrystie Street. They went straight and made the light where Chrystie ended, at East Houston. We did not. The cabbie turned to me. I said, “Left when we get the light. Try to catch them. If you can’t, I have a bet with myself where they’re going.”

“I was hoping for a fare to JFK,” he said.

“Bullshit, you would have been lucky to get a couple of hipsters going fifteen blocks to Bed-Stuy.”

“Or even LaGuardia,” he said. “Everybody wants to fly somewhere.” I passed a twenty up to the front. He said, “OK.”

We got the light. He pushed it as hard as a sensible man would on a rainy night in Manhattan. We spotted a big black Lincoln sedan. He did his best to catch it. We didn’t quite make it.

“We’ll go north on Sixth,” I said.