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Contents (85)
  1. Contents
  2. Part I
  3. One
  4. Two
  5. Three
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-One
  24. Twenty-Two
  25. Twenty-Three
  26. Twenty-Four
  27. Twenty-Five
  28. Twenty-Six
  29. Twenty-Seven
  30. Twenty-Eight
  31. Twenty-Nine
  32. Part II
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Part III
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. One
  78. Two
  79. Reading Group Guide
  80. A Conversation with the Author
  81. Acknowledgments
  82. About the Author

“Thank you,” I say. “Now, if you don’t mind.”

“Nope, nope. I’ll let you be. Probably be contacting you again. Or, if the cards play out in your favor, maybe you’ll never hear another word from me.”

Let’s hope for that option, I think.

“Bye, Rose,” he says. “I’ll be keeping any eye out for your next book. I’m sure it’ll be as good as the others.”

I nearly lose my grip on the tomato sauce. A jar crashing to the floor is not the reaction I’d want to give him, or my boss.

Pearson walks a few feet down the aisle before turning back.

“You said ‘concerning my husband,’” he says.

“Excuse me?”

“You said you had nothing to hide ‘concerning your husband.’ It’s just that most people wouldn’t have used a modifier. They’d have just said they had nothing to hide. Period.”

I turn to the shelf and finally place the jar of tomato sauce next to all the others, hiding my face from Pearson.

“You’re reaching now,” I say with my back to him.

I picture him cracking a gentle grin, a cop smirk, the kind that’s supposed to be disarming.

“Maybe I am,” he says. “Can I ask one last question? Just about being an author. I was curious about something.”

“Fine,” I say, turning back to him and crossing my arms.

He nods as if to say thanks and says, “I was thinking of that old piece of advice for authors and was wondering if it is really true.”

“What advice?”

“Write what you know,” he says. “Is that really a thing? Do authors write what they know?”

If Pearson is trying to unnerve me, it’s working. I compose my thoughts the best I can and answer.

“Doesn’t really allow much room for imagination,” I say. “Some of the best parts about writing are discovering new worlds.”

He scans my face, and I keep mine as still as possible. Cops are trained to identify signs of a person being deceitful, simple physical tells. Averting of the eyes. Biting of the lips. Touching the face.

If Pearson registers something about my face, I can’t tell.

“Yeah, that makes sense,” he says. “Imagination.” He dwells over the word like a distant memory, then snaps his attention back to me and adds, “Say, you ever read Clara Tomson? Mystery writer, like you.”

The name sounds vaguely familiar but I can’t place it. “No,” I say. Pearson certainly asked me this for a very specific reason, and because of that, I say nothing else, not wanting to go wherever it is he’s hoping to lure me. I do, however, etch the author’s name in my mind, because I sure as hell am looking this person up when I get home. Clara Thompson.

“Oh, okay. Just thought I’d ask.” He holds a beat but I remain steadfast in my silence. Pearson then thanks me again and walks away. As I return to stocking the jars, I notice the tremors in my hands.