Back The Dead Husband Save as PDF
Contents ( 85)
  1. Contents
  2. Part I
  3. One
  4. Two
  5. Three
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-One
  24. Twenty-Two
  25. Twenty-Three
  26. Twenty-Four
  27. Twenty-Five
  28. Twenty-Six
  29. Twenty-Seven
  30. Twenty-Eight
  31. Twenty-Nine
  32. Part II
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Part III
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. One
  78. Two
  79. Reading Group Guide
  80. A Conversation with the Author
  81. Acknowledgments
  82. About the Author

“In the study,” he says. “We’ll talk there.”

“Why there?” Cora asks, just to argue.

“Because that’s where the booze is. We’ll be needing it.”

“I can’t drink and drive back out in this.”

“No,” he says. “You can’t. I want you staying here tonight.”

“What?” She releases her purse and lets it fall to the floor. “I can’t just stay here. Peter’s waiting for me. I don’t have any of my things with me. You can’t just expect—”

“Cora.” My father sighs. “Just shut up, will you? Now, get into the study.”

He turns and heads down the hallway and I follow. I enter the study after him, and he hands me an already-poured drink.

“Vodka tonic,” he says. “Twist of lime. Simple. Classic.”

“Thanks,” I say. The crystal is ice-cold; the chill needles my forearm.

Cora hasn’t joined us, and my father and I sit in the two chairs we used this morning. A couple of minutes pass before I say, “Where is she?”

“She’s coming,” he replies. “In her own time. She doesn’t like to be told what to do.”

Sure enough, not thirty seconds later, she appears in the doorway, purse back in hand.

“Where the fuck am I supposed to sit?”

My father narrows his eyes. “You have a hell of a mouth on you.”

“Wonder where I got that from?”

“Take the desk chair and bring it over here.”

“I don’t like that chair. It’s too hard.”

She’s a child, I think. She’s a volatile and dangerous child trapped in a woman’s body.

“Take my seat,” I say, getting up. “I don’t mind the desk chair.”

Cora immediately slides into the leather chair without saying a word. I bring the desk chair and position it facing the two of them so we form a triangle in the center of the study.

My father stands and walks over to the wet bar. “What can I get you, Cora?”

“Cab sauv.”

“I have a merlot here.”

“Whatever.”

He returns, hands her the glass, and takes his seat again.

“Well, then,” he says. “Here we are. Just like old times.”

The second he says this, I remember I wanted to record this conversation. Ever since I recorded Cora at the trailhead, I told myself to do the same thing with every subsequent conversation. It could be the only thing that saves me.

“Hang on,” I say. “I need my phone.”

“Why?”

I think fast. “Max is having a sleepover. He’s supposed to call at some point.”

My father waves his hand at me, gesturing me to hurry. I head out of the study and back to the living room. My phone is on the table next to the couch where I slept, and I grab it and swipe it open. No calls, no texts, twenty-eight percent battery. I select the audio recorder and turn it on, then shut off the display.

Back in the study, I place the phone faceup on the small table between our chairs. Trying to appear as casual as possible, I turn it so the phone’s microphone faces Cora’s direction.