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Contents ( 71)
  1. THE
  2. DAUGHTER
  3. MICHELLE FRANCES
  4. PROLOGUE
  5. ONE
  6. TWO
  7. THREE
  8. FOUR
  9. FIVE
  10. SIX
  11. SEVEN
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. TWELVE
  17. THIRTEEN
  18. FOURTEEN
  19. FIFTEEN
  20. SIXTEEN
  21. SEVENTEEN
  22. EIGHTEEN
  23. NINETEEN
  24. TWENTY
  25. TWENTY-ONE
  26. TWENTY-TWO
  27. TWENTY-THREE
  28. TWENTY-FOUR
  29. TWENTY-FIVE
  30. TWENTY-SIX
  31. TWENTY-SEVEN
  32. TWENTY-EIGHT
  33. TWENTY-NINE
  34. THIRTY
  35. THIRTY-ONE
  36. THIRTY-TWO
  37. THIRTY-THREE
  38. THIRTY-FOUR
  39. THIRTY-FIVE
  40. THIRTY-SIX
  41. THIRTY-SEVEN
  42. THIRTY-EIGHT
  43. THIRTY-NINE
  44. FORTY
  45. FORTY-ONE
  46. FORTY-TWO
  47. FORTY-THREE
  48. FORTY-FOUR
  49. FORTY-FIVE
  50. FORTY-SIX
  51. FORTY-SEVEN
  52. FORTY-EIGHT
  53. FORTY-NINE
  54. FIFTY
  55. FIFTY-ONE
  56. FIFTY-TWO
  57. FIFTY-THREE
  58. FIFTY-FOUR
  59. FIFTY-FIVE
  60. FIFTY-SIX
  61. FIFTY-SEVEN
  62. FIFTY-EIGHT
  63. FIFTY-NINE
  64. SIXTY
  65. SIXTY-ONE
  66. SIXTY-TWO
  67. SIXTY-THREE
  68. SIXTY-FOUR
  69. EPILOGUE
  70. AUTHOR’S NOTE
  71. ACKNOWLEDGEMENTS

‘And how are those new substances going?’

He was studying a display showing one of the earliest robots from the sixteenth century. ‘You mean work? It’s OK.’

‘Tell me more.’

‘Not much to say.’

‘You don’t talk about it much.’

‘Just a bit boring, that’s all.’

‘Trust me, I’m interested.’

He stopped looking at the sixteenth-century mechanical monk and turned to her. ‘Why?’

‘Because I’m interested in what you’re interested in.’

He smiled, pleased. ‘It’s going well. It’s good. We’re testing a new product.’

‘What does it do?’

‘Kills the cereal aphid in barley.’

‘Sounds impressive. Is it dangerous?’

‘Well, you wouldn’t want to put it on your cornflakes,’ he joked. ‘But no, of course it’s not dangerous.’

‘But isn’t that exactly what you’re expecting farmers to do? Spray it on our cornflakes?’

He frowned. ‘Well, not like that, no.’

‘You’re right. Ignore me, I’m being silly.’

He smiled at her, unsure.

‘Ethics improved?’ asked Becky, gently.

A flicker across his face. ‘You should forget about that. I was talking rubbish.’

‘You sure? Only, it didn’t sound like it at the time. It sounded like you were being put in a very difficult position.’

‘No, honestly . . .’

‘Are they asking you to do something you don’t agree with?’

‘I don’t want to talk about it—’

‘Something to do with one of their products? Something that isn’t strictly safe?’

‘I said, I don’t want to talk about it,’ he snapped, voice raised.

A silence. The people around them looked up, nudged each other – a tiff on Valentine’s Day! – then gradually lost interest and picked up their own conversations again.

‘Sorry. I didn’t mean to be rude,’ said Adam. ‘Hey, look!’

Becky turned to see another robot come into the room. This one was modern, eerily lifelike, white supple ‘skin’ covering its body from head to toe and, as Sally explained, eyes that moved in response to sounds, to people entering its peripheral vision as it rotated its head. It doesn’t have vision, thought Becky, it’s a robot, but it certainly looked as if it did when its head stopped at her and the dull grey-black of its pupils seemed to bore right into her. Then it turned away and walked up to another woman.

‘Do you want to dance?’ it said charmingly, its voice smooth and digitally pure.

The woman looked taken aback but was blushing – actually blushing, thought Becky.

‘Why don’t you say yes?’ said Sally. ‘Don’t hurt Charlie’s feelings!’

‘OK, yes!’ said the woman and Charlie held up his arms and she tentatively touched his hands and they started to move across the floor.

‘I like you,’ said Charlie. ‘Will you be my Valentine?’

Laughs from the crowd. The woman gazed up at Charlie as if it were a real person, flattered by the attention. ‘Um . . .’

‘She’s spoken for!’ called out a man. He moved closer, pretending to raise his fist in jealousy.

More laughs. It was mesmerizing, and Becky was struck by how humans could be moved by a sophisticated piece of robotics and yet be inured to the plight of real people. Half of us probably walked straight past at least one homeless person on the way in, she thought. It was easy to ignore the unfortunate if you weren’t directly affected. It was easy to forget, to walk on by. Her job was to redirect the public’s attention, tell the story, expose the story. I need to pursue this.