Back The Darkness of Others
Chapters (60)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. PART ONE
  6. OKSANA
  7. MELISSA
  8. IMANI
  9. TONYA
  10. IMANI
  11. TONYA
  12. RICK
  13. MELISSA
  14. IMANI
  15. TONYA
  16. RICK
  17. IMANI
  18. TONYA
  19. IMANI
  20. TONYA
  21. IMANI
  22. TONYA
  23. RICK
  24. PART TWO
  25. MELISSA
  26. OKSANA
  27. IMANI
  28. TONYA
  29. IMANI
  30. TONYA
  31. IMANI
  32. TONYA
  33. IMANI
  34. TONYA
  35. IMANI
  36. MELISSA
  37. OKSANA
  38. RICK
  39. TONYA
  40. IMANI
  41. TONYA
  42. IMANI
  43. MELISSA
  44. PART THREE
  45. TONYA
  46. IMANI
  47. TONYA
  48. IMANI
  49. TONYA
  50. IMANI
  51. TONYA
  52. IMANI
  53. MELISSA
  54. TONYA
  55. OKSANA
  56. Acknowledgments
  57. Discover More
  58. About the Author
  59. Also by Cate Holahan
  60. Acclaim for Cate Holahan

“The school wants to say something nice about him, and she was looking up people he’d helped at St. Catherine’s over the years.” Philip dismantled another piece of the meat grinder. “She came across the scholarship that he’d endowed and the letter that he wrote in favor of Layla receiving it. Apparently, he said a lot of nice things about her and you. He mentioned you’d auditioned for him.”

Philip looked up at her, demanding confirmation.

Tonya wondered what he already knew—or suspected. Had Nate mentioned to Philip that he was seeing one of his waitresses on the side? Had Philip known all this time and kept quiet?

“I didn’t really know him.” Tonya spoke like she was testing a hot pan. “I went on so many auditions in my youth for directors, producers, casting agents. God knows I was always chatting. Trying to be memorable and get the part, right? The scholarship isn’t the Nate Walker scholarship—it’s just an academic and need-based thing. I wasn’t sure who was endowing it.”

Philip continued to stare. Did he know that the last part was a blatant lie? Was she failing this audition, trying too hard to make her story believable, keeping her voice too high to feign surprise? Should she have changed the dialogue to something that fit better?

Tonya lowered her tone, an effort to sound less flippant about a man who, as far as Philip likely knew, had supported her daughter’s education and then been murdered. She should sound sadder, she realized. More appreciative. “He was your friend, right?”

Philip’s lips pressed into a line on his unmasked face. “More the husband of my wife’s friend.”

Tonya exhaled, thankful that the mask was there to muffle the sound. If Philip and Nate hadn’t actually been close, then chances were that Nate hadn’t disclosed anything. Philip hadn’t been tactfully avoiding the subject all this time. He really didn’t know the deal.

“He came here a lot before the pandemic,” Tonya continued, shifting the conversation from her relationship with the director to Philip’s clearly complicated one. “I remember waiting on him in Coffre. I guess he really liked the food.”

Philip’s noncommittal expression morphed into a smirk. “I wish.”

“Well, I mean, if he was coming here, he had to like it.” She forced a laugh that only managed to sound nervous. “He certainly wasn’t scouting for actresses to put in a movie.”