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Contents ( 72)
  1. Dedication
  2. Epigraph
  3. Contents
  4. The Old Bailey, London, 7 April 1826
  5. Chapter One
  6. Paradise, Jamaica, 1812‒25
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. London, February 1825
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. The School-house
  40. August 1825‒January 1826
  41. Chapter Thirty-Three
  42. Chapter Thirty-Four
  43. Chapter Thirty-Five
  44. Chapter Thirty-Six
  45. Chapter Thirty-Seven
  46. Levenhall
  47. January 1826
  48. Chapter Thirty-Eight
  49. Chapter Thirty-Nine
  50. The Old Bailey
  51. 7 April 1826
  52. Chapter Forty
  53. Chapter Forty-One
  54. Chapter Forty-Two
  55. Chapter Forty-Three
  56. Chapter Forty-Four
  57. Chapter Forty-Five
  58. Newgate Prison
  59. Chapter Forty-Six
  60. Chapter Forty-Seven
  61. Chapter Forty-Eight
  62. Chapter Forty-Nine
  63. Chapter Fifty
  64. Chapter Fifty-One
  65. Chapter Fifty-Two
  66. Chapter Fifty-Three
  67. Chapter Fifty-Four
  68. Author’s Note
  69. Acknowledgements
  70. About the Author
  71. Copyright
  72. About the Publisher

‘No, Miss-bella.’

‘Some brand of wickedness, I just want to know what brand.’

I shook my head, but I couldn’t say yes or no. It was some brand of wickedness. I had seen it.

‘Girl.’ She shook her head, sniffed. ‘I speak frankly, and I expect you to do the same unto me.’

‘Yes.’ I started to say more, then stopped. There was nothing frank about me, not any more.

When she turned her eyes on me, they were windowpanes. ‘I want you to consider . . .’ She stopped, bent over to set her flask on the doily, her hands slow as tar. ‘That man is your father.’

‘No.’ It slid out quick as a cough.

‘Look around, girl. Look around you.’

My voice went small, crawling back to the past, the old talk, my mind scrabbling, clutching on the overseer, the book-keeper, men I had never given any thought to before. ‘There are other white men here,’ I said. And then I staggered away from her, vomited into her roses. Head swirling like stirred soup. Everything around me stained to the same rust, the colour of the dry dirt, the walls, the bushes, even the dogs.

It was his sickness that had saved me, in the end. His body had long grown too weak to be a burden, to me or anyone else. But not before it had already happened, that first night, the nights that followed it. I would have killed him, had I known it then. I let that dark shard in, and had to keep it stored, and hurting, in my chest.

I went down early. Linux was in the kitchen alone, nursing a cup of tea. She was staring down at a pile of coins, and looked up when I came in and said they were for me, so it came to me that she must be turning me out, that they were my wages and, without thinking, I reached out a hand –

‘No. When you come back down. You’re to go up, now. Madame wants you.’

Her door was open. Books tumbled around the desk in a bramble of cloth and leather. There was a faint smell of fruit, heedless and ripe. A musk of leather and ink. Lilies in a vase on her mantelpiece.

I saw her, crouched among the books. Cleared my throat.

‘Frances! Yes. Sit.’ She pointed to an armchair, one of a pair, yellow with a winding pattern of blue leaves, pulled close to the fireplace. ‘Just a moment, I am . . . looking for something.’

I could map that room now, needing no compass. My fingers my only tools. Seven steps from the japanned bed to the writing desk, four steps from there to the red cabinet painted with storks. Between them, the portrait of the woman with dark hair and pale cheeks, raised onto her elbows, the field around her dotted yellow, her gown a freshly butchered red. The woman in red. On the mantel, Madame’s little wooden box, with her initials carved into it – MD – ringed by bluebells.