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Chapters (53)
  1. Cover
  2. Contents
  3. Epigraph
  4. I
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. II
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. III
  40. Chapter 34
  41. Chapter 35
  42. Chapter 36
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. Chapter 42
  49. IV
  50. Chapter 43
  51. AUTHOR’S NOTE
  52. About Jeffery Deaver
  53. Copyright

“How’s that?” the rookie asked.

“I know you heard I was leaving.”

He nodded.

“But I’ve changed my mind.”

“You’re not quitting?” Pulaski asked.

“No.”

“Hey, not a problem,” Pulaski said. “Wouldn’t mind sharing the job for a little while more, you know.” His relief at not being the only ant under Lincoln Rhyme’s magnifying glass clearly outweighed any disappointment at getting busted back down to assistant.

Sachs tugged a chair around to face Rhyme.

He said, “I thought you were at Argyle.”

“I was. To turn them down.”

“Can I ask why?”

“I got a call. From Suzanne Creeley. Ben Creeley’s wife. She thanked me for believing her, for finding out who’d really killed her husband. She was crying. She told me that she just couldn’t bear the thought that her husband had killed himself. Murder was terrible but a suicide—that would’ve undermined everything they’d had together over the years.”

Sachs shook her head. “A knot in a rope and a broken thumb . . . I realized that that’s what this job is all about, Rhyme. Not the crap I got caught up in, the politics, my father, Baker and Wallace . . . You can’t make it too complicated. Being a cop is about finding the truth behind a knot and a broken thumb. Nothing more than that.”

You and me, Sachs . . .

“So,” she asked, matter-of-fact, as she nodded toward the boards, “our bad boy—anything new on him?”

Rhyme told her about his present, the Breguet, then summarized: “A rock or mountain climber, possibly trained in Europe. He’s spent time in California, near the shore. And he’s been there recently. May live there now. Good education. Uses proper grammar, syntax and punctuation. And I want to go over every gear in the watch again. He’s a watchmaker, right? That means he’s probably taken the back off to poke around inside. If there’s a molecule of trace, I want it.” Rhyme nodded at the man’s note and added, “He admits he was watching Charlotte’s hotel around the time we collared her. I want every vantage point where he might’ve been standing searched. You’re recruited for that one, Ron.”

“Got it.”

“And don’t forget what we know about him. Maybe he’s gone and maybe he isn’t. Make sure your weapon’s in reach. Outside the Tyvek. Remember—”

“Search well but watch my back?” Pulaski asked.

“An A for retention,” the criminalist said. “Now get to work.”

IV

12:48 P.M. MONDAY

Image

What then is time? If no one asks me, I know what it is. If I wish to explain it to him who asks, I do not know.

—SAINT AUGUSTINE

Chapter 43