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Contents (65)
  1. THE CHRONICLES OF CLOVIS
  2. * * *
  3. SAKI
  4. *
  5. Contents
  6. *
  7. Introduction
  8. *
  9. Esmé
  10. *
  11. The Match-Maker
  12. *
  13. Tobermory
  14. *
  15. Mrs. Packletide's Tiger
  16. *
  17. The Stampeding of Lady Bastable
  18. *
  19. The Background
  20. *
  21. Hermann the Irascible—A Story of the Great Weep
  22. *
  23. The Unrest-Cure
  24. *
  25. The Jesting of Arlington Stringham
  26. *
  27. Sredni Vashtar
  28. *
  29. Adrian
  30. *
  31. The Chaplet
  32. *
  33. The Quest
  34. *
  35. Wratislav
  36. *
  37. The Easter Egg
  38. *
  39. Filboid Studge, the Story of a Mouse that Helped
  40. *
  41. The Music on the Hill
  42. *
  43. The Story of St. Vespaluus
  44. *
  45. The Way to the Dairy
  46. *
  47. The Peace Offering
  48. *
  49. The Peace of Mowsle Barton
  50. *
  51. The Talking-Out of Tarrington
  52. *
  53. The Hounds of Fate
  54. *
  55. The Recessional
  56. *
  57. A Matter of Sentiment
  58. *
  59. The Secret Sin of Septimus Brope
  60. *
  61. "Ministers of Grace"
  62. *
  63. The Remoulding of Groby Lington
  64. *
  65. * * *

"His dreams are a matter of indifference to me; for all I care his slumbers may be one long indiscretion of unsuitable erotic advances, in which the entire servants' hall may be involved. But in his waking hours he shall not make love to my maid. It's no use arguing about it, I'm firm on the point."

"But you must be mistaken," persisted Mrs. Riversedge; "Mr. Brope would be the last person to do such a thing."

"He is the first person to do such a thing, as far as my information goes, and if I have any voice in the matter he certainly shall be the last. Of course, I am not referring to respectably-intentioned lovers."

"I simply cannot think that a man who writes so charmingly and informingly about transepts and Byzantine influences would behave in such an unprincipled manner," said Mrs. Riversedge; "what evidence have you that he's doing anything of the sort? I don't want to doubt your word, of course, but we mustn't be too ready to condemn him unheard, must we?"

"Whether we condemn him or not, he has certainly not been unheard. He has the room next to my dressing-room, and on two occasions, when I dare say he thought I was absent, I have plainly heard him announcing through the wall, 'I love you, Florrie.' Those partition walls upstairs are very thin; one can almost hear a watch ticking in the next room."

"Is your maid called Florence?"

"Her name is Florinda."

"What an extraordinary name to give a maid!"

"I did not give it to her; she arrived in my service already christened."

"What I mean is," said Mrs. Riversedge, "that when I get maids with unsuitable names I call them Jane; they soon get used to it."

"An excellent plan," said the aunt of Clovis coldly; "unfortunately I have got used to being called Jane myself. It happens to be my name."

She cut short Mrs. Riversedge's flood of apologies by abruptly remarking:

"The question is not whether I'm to call my maid Florinda, but whether Mr. Brope is to be permitted to call her Florrie. I am strongly of opinion than he shall not."

"He may have been repeating the words of some song," said Mrs. Riversedge hopefully; "there are lots of those sorts of silly refrains with girls' names," she continued, turning to Clovis as a possible authority on the subject. "'You mustn't call me Mary—'"

"I shouldn't think of doing so," Clovis assured her; "in the first place, I've always understood that your name was Henrietta; and then I hardly know you well enough to take such a liberty."

"I mean there's a SONG with that refrain," hurriedly explained Mrs. Riversedge, "and there's 'Rhoda, Rhoda kept a pagoda,' and 'Maisie is a daisy,' and heaps of others. Certainly it doesn't sound like Mr. Brope to be singing such songs, but I think we ought to give him the benefit of the doubt."

"I had already done so," said Mrs. Troyle, "until further evidence came my way."