Contents (65)
- THE CHRONICLES OF CLOVIS
- * * *
- SAKI
- *
- Contents
- *
- Introduction
- *
- Esmé
- *
- The Match-Maker
- *
- Tobermory
- *
- Mrs. Packletide's Tiger
- *
- The Stampeding of Lady Bastable
- *
- The Background
- *
- Hermann the Irascible—A Story of the Great Weep
- *
- The Unrest-Cure
- *
- The Jesting of Arlington Stringham
- *
- Sredni Vashtar
- *
- Adrian
- *
- The Chaplet
- *
- The Quest
- *
- Wratislav
- *
- The Easter Egg
- *
- Filboid Studge, the Story of a Mouse that Helped
- *
- The Music on the Hill
- *
- The Story of St. Vespaluus
- *
- The Way to the Dairy
- *
- The Peace Offering
- *
- The Peace of Mowsle Barton
- *
- The Talking-Out of Tarrington
- *
- The Hounds of Fate
- *
- The Recessional
- *
- A Matter of Sentiment
- *
- The Secret Sin of Septimus Brope
- *
- "Ministers of Grace"
- *
- The Remoulding of Groby Lington
- *
- * * *
"I came here to get freedom from the inane interruptions of the mentally deficient," said Clovis, "but it seems I asked too much of fate."
Bertie van Tahn prepared to use his towel as a weapon of precision, but reflecting that he had a good deal of unprotected coast-line himself, and that Clovis was equipped with a fountain-pen as well as a towel, he relapsed pacifically into the depths of his chair.
"May one hear extracts from the immortal work?" he asked. "I promise that nothing that I hear now shall prejudice me against borrowing a copy of the SMOKY CHIMNEY at the right moment."
"It's rather like casting pearls into a trough," remarked Clovis pleasantly, "but I don't mind reading you bits of it. It begins with a general dispersal of the Durbar participants:
'Back to their homes in Himalayan heights
The stale pale elephants of Cutch Behar
Roll like great galleons on a tideless sea—'"
"I don't believe Cutch Behar is anywhere near the Himalayan region," interrupted Bertie. "You ought to have an atlas on hand when you do this sort of thing; and why stale and pale?"
"After the late hours and the excitement, of course," said Clovis; "and I said their HOMES were in the Himalayas. You can have Himalayan elephants in Cutch Behar, I suppose, just as you have Irish-bred horses running at Ascot."
"You said they were going back to the Himalayas," objected Bertie.
"Well, they would naturally be sent home to recuperate. It's the usual thing out there to turn elephants loose in the hills, just as we put horses out to grass in this country."
Clovis could at least flatter himself that he had infused some of the reckless splendour of the East into his mendacity.
"Is it all going to be in blank verse?" asked the critic.
"Of course not; 'Durbar' comes at the end of the fourth line."
"That seems so cowardly; however, it explains why you pitched on Cutch Behar."
"There is more connection between geographical place-names and poetical inspiration than is generally recognized; one of the chief reasons why there are so few really great poems about Russia in our language is that you can't possibly get a rhyme to names like Smolensk and Tobolsk and Minsk."
Clovis spoke with the authority of one who has tried.
"Of course, you could rhyme Omsk with Tomsk," he continued; "in fact, they seem to be there for that purpose, but the public wouldn't stand that sort of thing indefinitely."
"The public will stand a good deal," said Bertie malevolently, "and so small a proportion of it knows Russian that you could always have an explanatory footnote asserting that the last three letters in Smolensk are not pronounced. It's quite as believable as your statement about putting elephants out to grass in the Himalayan range."
"I've got rather a nice bit," resumed Clovis with unruffled serenity, "giving an evening scene on the outskirts of a jungle village:
'Where the coiled cobra in the gloaming gloats,
And prowling panthers stalk the wary goats.'"