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Contents ( 16)
  1. About the Book
  2. THE BURNT ONES
  3. Contents
  4. THE BURNT ONES
  5. Acknowledgements
  6. Dead Roses
  7. Willy-Wagtails by Moonlight
  8. A Glass of Tea
  9. Clay
  10. The Evening at Sissy Kamara’s
  11. A Cheery Soul
  12. Being Kind to Titina
  13. Miss Slattery and her Demon Lover
  14. The Letters
  15. The Woman who wasn’t Allowed to Keep Cats
  16. Down at the Dump

Clay Skerritt did not complain, and if he was ignored he had known worse. For he was most certainly ignored, by the gentlemen who sat amongst the trays of papers, by the young ladies of the Customs and Excise, who kept their nails so beautifully, who took their personal towels to the toilet, and giggled over private matters and cups of milky tea. If they ever laughed at the junior in particular, at his tricky frame, his pimples, and his stubble of hair, Clay Skerritt was not conscious of it. Why should he be? He was born with inward-looking eyes.

That all was not quite in order, though, he began to gather from his mother.

‘When I am gone Clay,’ she said – it was the evening the sink got blocked up, ‘you will remember how your mother was a messer but found she only scraped the dishes into the sink because her mind was otherwise engaged with you Clay your interests always some practical young lady will rectify anything your mother ever did by good intention I would not force you but only advise time is not to be ignored.’

But on days when the wind blew black across the grey water Mrs Skerritt might remark, peering out from the arbours of asparagus fern:

‘Some young woman clever with her needle lighter-handed at the pastry-board will make you forget your poor mum well it is the way.’

Her son was bound to ignore what he could not be expected to believe. He would take a look at the wedding group. All so solidly alive, the figures appeared to announce a truth of which he alone could be the arbiter, just as the great white shoe would still put out, into the distance, for destinations of his choice.

His mother, however, continued in her mistaken attempts to celebrate the passing of reality. There was the day she called, her voice intruding amongst the objects which surrounded him:

‘Take my grey costume dear up to the dry cleaner at the Junction tomato sauce is fatal when a person is on the stoutish side.’

Clay acted as he had been told. Or the streets were acting round him, and the trams. It was a bright day. Metal sang. The brick homes were no longer surreptitious, but opened up to disclose lives. In one window a woman was looking into her armpit. It made Clay laugh.

At the cleaner’s a lady finished a yarn with the young girl. The lady said from alongside her cigarette:

‘I’ll leave you to it, Marj. I’m gunna make tracks for home and whip me shoes off. My feet are hurting like hell.’

Then the bell.

Clay was still laughing.

The young girl was looking down at the sheets of fresh brown paper, through the smell of cleaning. She herself had a cleaned, pallid skin, with pores.

‘What’s up?’ she asked, as the client continued laughing.

She spoke so very flat and polite.

‘Nothing,’ he said, but added: ‘I think perhaps you are like my mother.’