Back The Burial Hour Save as PDF
Contents ( 12)
  1. Author’s Note
  2. The Hangman’s Waltz
  3. In the Field of Truffles
  4. The Aqueduct
  5. The Land of No Hope
  6. Skulls and Bones
  7. The House of Rats
  8. The Sound of Sense
  9. The Dragonfly and the Gargoyle
  10. Acknowledgments
  11. About the Author
  12. Also by Jeffery Deaver

Ah, such a beautiful modulation! A triplet in the last of the sentence. Syncopated. G, G, then B flat as her voice rose in tone because of the question. Beautiful.

“Stefan, you’ve ignored me for the last time. You’re going to the principal. Now.”

And “principal,” an even better triplet!

Only then did he realize: Oh, messed up again.

And the other students either looking away or staring (equally cruel).

Strange. Stefan is strange.

Well, he was. He knew that as well as anybody. His reaction: Make me unstrange or shut the hell up.

Now, on this busy corner in a busy city, Stefan pressed his head against an old stone wall and let a thousand sounds pass over him, through him, bathing him in warm water, circling and soothing his rampaging heart.

Hearing, in his head, his fiery imagination, the tolling of the red bell on the dirt, spreading outward from the man’s neck last night.

Hearing the sound of blood roaring in his ears, loud as a blood bell ringing, ringing, ringing.

Hearing the refugee’s screams.

Hearing the Black Screams.

From the time of adolescence, when the Black Screams started, it had been a battle to keep them at bay. Sound was the lifeblood for Stefan, comforting, explaining, enlightening. The creak of boards, the stutter of branches, the clicking of tiny animal feet in the Pennsylvania garden and yard, the slither of a snake in the woods. But the same way that healthy germs can become sepsis, sounds could turn on him.

Voices became sounds and sounds voices.

Roadside construction equipment, driving piles was really a voice: “Cellar, cellar, cellar, cellar.”

A bird’s call was not a bird’s call. “Look swinging, look swinging, look swinging.”

The wind was not the wind. “Ahhhhhh gone, ahhhhhh gone, ahhhhhh gone.”

The creak of a branch: “Drip, drip, drip, drip…”

And a voice from a closed throat that might have been whispering, “Goodbye, I loved you,” became merely a rattle of pebbles on wood.

Now a Black Scream, a bad one, the whining drill. It was starting in his groin—yes, you could hear them down there—and zipping up through his spine, through his jaw, through his eyes, into his brain.

Nooooooooo…

He opened his eyes and blinked. People stared uneasily as they passed. In this part of town, fortunately, there were homeless men, also damaged, so he did not stand out sufficiently for them to call the police.

That would not be good at all.

Euterpe would not forgive him.

He managed to control himself enough to move along. A block away he stopped. Wiping sweat, pressing his face against a wall, he struggled to breathe. He looked around. Stefan was near the famed Santa Chiara church, on Via Benedetto Croce—the mile-long street that bisected the ancient Roman part of town and was known to everyone as Spaccanapoli, or the Naples Splitter.

It was a chaotic avenue, narrow, throbbing with tourists and pedestrians and bicycles and scooters and punchy cars. Here were vendors and shops offering souvenirs, religious icons, furniture, commedia dell’arte figurines, cured meats, buffalo mozzarella, limoncello bottles in the shape of the country, and the local dessert, sfogliatelle, crispy pastry that Stefan adored—not for the taste but for the sound of the crackly crust between teeth.