Back The Book of Lamentations
Chapters (44)
  1. Introduction by Alma Guillermoprieto
  2. The Book of Lamentations
  3. I
  4. II
  5. III
  6. IV
  7. V
  8. VI
  9. VII
  10. VIII
  11. IX
  12. X
  13. XI
  14. XII
  15. XIII
  16. XIV
  17. XV
  18. XVI
  19. XVII
  20. XVIII
  21. XIX
  22. XX
  23. XXI
  24. XXII
  25. XXIII
  26. XXIV
  27. XXV
  28. XXVI
  29. XXVII
  30. XXVIII
  31. XXIX
  32. XXX
  33. XXXI
  34. XXXII
  35. XXXIII
  36. XXXIV
  37. XXXV
  38. XXXVI
  39. XXXVII
  40. XXXVIII
  41. XXXIX
  42. XL
  43. Afterword by Esther Allen
  44. A Brief Glossary of Tzotzil and Spanish Terms

The craftsmen’s doors were always wide open. From inside their houses came the sound of work, of the machine’s rhythmic I movements and the worker singing as he labored. The courtyards j thronged with dirty children, domestic animals, clients. And on | Sundays the family went to church, elbowing their way through i to the best pews (on which they had had their names ostentatiously painted) and maintaining, during the service, a composure; all the more meritorious for the effort it cost them. They cast] sidelong glances at the aristocrats, with a solid satisfaction where the present was concerned, but with a secret envy of the past.

This was the public Padre Manuel addressed. His eloquence vibrated between the church’s baroque walls, rang down from the gilded altars, glanced off the somber altarpieces. His listeners cleared their throats in covert impatience, shifted in their seats, hissed to silence the noises each one of them caused. And in their vacant eyes and distracted expressions, Padre Manuel had ample and grievous evidence that he was not being heard.

Late at night, in the solitude of his bedroom, Padre Manuel meditated. The relationship between the priest and his parishioners is a curious one. The nature of the priest’s role inhibits the secular man; he changes the subject when the priest approaches; he does not dare include him. He wants to establish a distance. But the priestly character is like the tip of a scalpel. It pierces. Under cover of the confessional, and with an almost defiant shamelessness, souls lay themselves bare and stories are told.

The stories told by Coletos, Padre Manuel mused, were like plants. An excess or a defect of temperament, a hereditary flaw, a careless upbringing can be the seed. Then comes the gray seedling of the years and the unvarying customs. The thick bark of reputation, social standing. And suddenly the red flower blooms: scandal, violence, crime. Nothing produces the illusion of randomness like a slow, patient logic.

But the seed, the root, does not grow by itself. It feeds on beliefs, practices and aspirations that are legitimate, on rigid prohibitions: on morality, in other words.