Back The Book of Dreams
Chapters (79)
  1. Cover
  2. Dedication
  3. DAY ONE
  4. Henri
  5. DAY FIFTEEN
  6. Sam
  7. Eddie
  8. Sam
  9. Eddie
  10. Sam
  11. Henri
  12. Eddie
  13. Eddie
  14. Henri
  15. Sam
  16. DAY SEVENTEEN
  17. Eddie
  18. Sam
  19. Eddie
  20. Sam
  21. DAY TWENTY
  22. Henri
  23. DAY TWENTY-FIVE
  24. Henri
  25. DAY TWENTY-SEVEN
  26. Sam
  27. DAY THIRTY
  28. Henri
  29. DAY THIRTY-ONE
  30. Eddie
  31. DAY THIRTY-THREE
  32. Henri
  33. DAY THIRTY-FOUR
  34. Henri
  35. Sam
  36. DAY THIRTY-FIVE
  37. Henri
  38. DAY THIRTY-SIX
  39. Henri
  40. DAY THIRTY-SEVEN
  41. Sam
  42. DAY THIRTY-EIGHT
  43. Henri
  44. DAY THIRTY-NINE
  45. Eddie
  46. DAY FORTY
  47. Sam
  48. Henri
  49. Eddie
  50. Sam
  51. DAY FORTY-ONE
  52. Sam
  53. Henri
  54. Eddie
  55. DAY FORTY-THREE
  56. Henri
  57. DAY FORTY-THREE
  58. Henri
  59. DAY FORTY-FOUR
  60. Henri
  61. Sam
  62. Eddie
  63. DAY FORTY-FIVE
  64. Eddie
  65. Henri
  66. DAY FORTY-SIX
  67. Sam
  68. Henri
  69. Eddie
  70. Henri
  71. DAY FORTY-SIX
  72. Sam
  73. Eddie
  74. EPILOGUE
  75. Henri
  76. POSTSCRIPT
  77. Afterword and Thanks
  78. About Nina George
  79. Copyright

I’ve already told you that I’m a synes-creep. I experience the world differently from other people. I see sounds, voices, and music as colors. The London Underground sounds steel gray, like a bagful of knives. My mother’s voice is soft, like soft gauze on a frozen lake. And purple. My voice is currently colorless, but when I’m scared it turns bright yellow. When I speak it’s light blue, like a baby’s playsuit. It’s breaking at the moment, and ideally I would say nothing further until that’s over.

People who know who they are and what they’re capable of have green voices. Dark-green voices, serene and majestic like a wise old forest.

For me, numbers also have colors. The figure eight is green, four is yellow, and five is blue. Letters have personalities: R is aggressive, S is sly, and K is a covert racist. Z is cooperative and F is a diva. G is upright and strong.

When I enter a room I can tell which emotions have been felt in it most frequently. With someone like Mrs. Walker, I can sense how heavyhearted she is by the density of the shadows surrounding her.

I can’t look another person in the eye. There’s too much there, and much of it I don’t understand. Sometimes I’m afraid that their gaze will tell me they’re about to die, which turned out to be the case with our housemaster at Colet Court and our neighbor Mrs. Logan.

People with synesthesia used to be regarded as pathological. Pathologically shy, pathologically oversensitive, a real burden on their families. Children who have it are always screaming, quick to tears, and peculiar in other ways too. When they grow up they often turn out to be borderline, complete schizophrenics, or prone to depression. Many kill themselves because they can’t cope with the world and the way they see it. Hypersensitive crybabies. If there were any pills to treat this condition, I’d be gobbling them like Smarties.

THE FIRST TIME I walked through the ward of the “zombies,” it felt as if their souls were bleeding colors. I perceive that kind of thing, although I’d rather not. Then I caught sight of the man in C7. I felt nothing.

It was weird. I’ve never felt nothing. Only that once. The stranger was lying motionless on his back on an aluminum bed. The shadows around him were thick, the color of the moon. His eyes were closed, and he gave off nothing. That nothing worried me, but only in a strange, standoffish way.