Back The Book of Dreams
Chapters (79)
  1. Cover
  2. Dedication
  3. DAY ONE
  4. Henri
  5. DAY FIFTEEN
  6. Sam
  7. Eddie
  8. Sam
  9. Eddie
  10. Sam
  11. Henri
  12. Eddie
  13. Eddie
  14. Henri
  15. Sam
  16. DAY SEVENTEEN
  17. Eddie
  18. Sam
  19. Eddie
  20. Sam
  21. DAY TWENTY
  22. Henri
  23. DAY TWENTY-FIVE
  24. Henri
  25. DAY TWENTY-SEVEN
  26. Sam
  27. DAY THIRTY
  28. Henri
  29. DAY THIRTY-ONE
  30. Eddie
  31. DAY THIRTY-THREE
  32. Henri
  33. DAY THIRTY-FOUR
  34. Henri
  35. Sam
  36. DAY THIRTY-FIVE
  37. Henri
  38. DAY THIRTY-SIX
  39. Henri
  40. DAY THIRTY-SEVEN
  41. Sam
  42. DAY THIRTY-EIGHT
  43. Henri
  44. DAY THIRTY-NINE
  45. Eddie
  46. DAY FORTY
  47. Sam
  48. Henri
  49. Eddie
  50. Sam
  51. DAY FORTY-ONE
  52. Sam
  53. Henri
  54. Eddie
  55. DAY FORTY-THREE
  56. Henri
  57. DAY FORTY-THREE
  58. Henri
  59. DAY FORTY-FOUR
  60. Henri
  61. Sam
  62. Eddie
  63. DAY FORTY-FIVE
  64. Eddie
  65. Henri
  66. DAY FORTY-SIX
  67. Sam
  68. Henri
  69. Eddie
  70. Henri
  71. DAY FORTY-SIX
  72. Sam
  73. Eddie
  74. EPILOGUE
  75. Henri
  76. POSTSCRIPT
  77. Afterword and Thanks
  78. About Nina George
  79. Copyright

He was holding up his smartphone. It’s approximately fifty-three times more expensive than my own, and on it I could see a shaky video Scott had found on YouTube. He wasn’t the only one—it had 2.5 million hits. The film’s title was “A Real Hero” and it showed a man swimming in the Thames. The camera zoomed in, and the blurred footage showed the man diving into the water and resurfacing a few seconds later with a wet bundle. It was only when he had made it to the bank that it became clear that the bundle was a girl. The man carried the child to Hammersmith Bridge. The picture shook as he strode toward the camera and said, “Were you only filming, or did you think of calling for help?” Four seconds later the car smashed into him. The film broke off. The man was my father.

“Your dad’s a cool dude,” Scott said dryly. “You should tell him that one day.”

The bright burst of joy and energy that had swept through my heart when I caught sight of my father in the film gave way to a dark shadow at Scott’s words. My yearning to tell that living father everything—everything I thought, everything about who I am—turned to despair as I was reminded of his now motionless figure. Motionless and cut off from the world.

Slowly I pulled out the permit that my mother had refused to sign and showed Scott a picture of the back of her Visa card, which I had secretly photographed with my smartphone that morning, just to be on the safe side. I hadn’t actually meant to use it. Until now. Until the film.

“Can you do this one?”

“Easy-peasy,” said Scott, taking my mobile and the piece of paper, and spiriting his fountain pen from its case.

SO AT MIDDAY today I rubbed sand in my eyes and pretended to my French teacher, Madame Lupion, that I’d suffered an allergic reaction. Then I set off for the Wellington with bright red eyes that were still itching and weeping.

No one paid any attention to me in the Underground. No one ever says anything on the tube, and no one looks at anyone either. People act as if they’re alone in the world, even when your face is being pressed into your neighbor’s armpit. The air is seventy-three times more polluted down there than it is aboveground.

Sheila Walker didn’t comment on my eyes either. They really do sting.

Dr. Saul is sticking a sheet of paper to the wall of the waiting room as I enter. It reads: “This is a specialist neurological clinic, not a clubroom, so no slurping your tea and no chatting.” I try to sneak past God without being seen.