Back The Book of Dreams
Chapters (79)
  1. Cover
  2. Dedication
  3. DAY ONE
  4. Henri
  5. DAY FIFTEEN
  6. Sam
  7. Eddie
  8. Sam
  9. Eddie
  10. Sam
  11. Henri
  12. Eddie
  13. Eddie
  14. Henri
  15. Sam
  16. DAY SEVENTEEN
  17. Eddie
  18. Sam
  19. Eddie
  20. Sam
  21. DAY TWENTY
  22. Henri
  23. DAY TWENTY-FIVE
  24. Henri
  25. DAY TWENTY-SEVEN
  26. Sam
  27. DAY THIRTY
  28. Henri
  29. DAY THIRTY-ONE
  30. Eddie
  31. DAY THIRTY-THREE
  32. Henri
  33. DAY THIRTY-FOUR
  34. Henri
  35. Sam
  36. DAY THIRTY-FIVE
  37. Henri
  38. DAY THIRTY-SIX
  39. Henri
  40. DAY THIRTY-SEVEN
  41. Sam
  42. DAY THIRTY-EIGHT
  43. Henri
  44. DAY THIRTY-NINE
  45. Eddie
  46. DAY FORTY
  47. Sam
  48. Henri
  49. Eddie
  50. Sam
  51. DAY FORTY-ONE
  52. Sam
  53. Henri
  54. Eddie
  55. DAY FORTY-THREE
  56. Henri
  57. DAY FORTY-THREE
  58. Henri
  59. DAY FORTY-FOUR
  60. Henri
  61. Sam
  62. Eddie
  63. DAY FORTY-FIVE
  64. Eddie
  65. Henri
  66. DAY FORTY-SIX
  67. Sam
  68. Henri
  69. Eddie
  70. Henri
  71. DAY FORTY-SIX
  72. Sam
  73. Eddie
  74. EPILOGUE
  75. Henri
  76. POSTSCRIPT
  77. Afterword and Thanks
  78. About Nina George
  79. Copyright

Then I realize she does it with her gaze. It does not ask, it does not invite; it simply says, Come! and the men obey. Only when she melds herself to a man does she close her eyes.

Her body is slender. Not curvaceous, not full. Hers is an androgynous figure, the physique of an Amazon whose beauty isn’t immediately apparent to most. When she moves her warrior’s limbs, I see myself. Her dancing expresses my unrest and my anxiety; she dances as if she doesn’t wish to carry on living—not like this—and yet she’s fighting to survive. Her dancing gives voice to my emotions and every shade of my life, the grays and the whites, the blazing fires that consume all color, and the endlessly forlorn melodies too.

She dances, and I watch her for hours and hours, dreaming thousands of different lives. Her movements are harbors, and I’m a castaway. What might be possible with this woman of whom I know less than any other?

I see this unknown woman dancing and in parallel I watch our daughter climbing onto her mother’s feet to learn the waltz, foot on foot and hand in hand.

I see this stranger as I take her to Ty Kerk, unlock the blue door, and take out everything I’ve kept stored away for so long. She’ll inhabit the rooms, and her bright eyes will banish all the shadows. That’s how it will be.

I see myself kissing this stranger’s delicate yet proud neck.

I see her in a white dress in the eight-hundred-year-old chapel by the sea, goose pimples on her arms because she senses that time has a different consistency here. There are places where time is thinner, where yesterday, today, and tomorrow converge and we can feel the presence of the dead and the echo of the future.

It is then that the stranger spots me, and her eyes say simply, Come!

I nod.

After so many hours she strides toward me, her piercing blue eyes as clear and deep as the sun-drenched waters of the Iroise Sea. Her eyes are awash with the ocean, and for the very first time I don’t hate the sea.

I want to go home.

Take me with you. She doesn’t say a word or touch me. She steps very close to me, and I can see her chest rising and falling. She’s so close that her mouth and nose are level with my collarbone. I can feel the air between us being warmed by the heat from her body. She looks up at me, and I breathe out as if it is my very first exhalation and as if time has finally snapped back into place.