Back The Book of Anna
Chapters (53)
  1. Cover
  2. Title Page
  3. An Explanation of What This Book Is About
  4. Part One: Anna’s Sergei and Anya’s City: St. Petersburg, Saturday, January 8, 1905
  5. 1. On the Heels of Clementine, the Anarchist
  6. 2. Claudia and Sergei
  7. 3. Clementine Defends Herself
  8. 4. To the Concert
  9. 5. The Tsar’s Letter
  10. 6. In the Theater
  11. 7. What Giorgi, the Karenins’ Coachman, Did
  12. 8. Intermission at the Concert
  13. 9. Near the Port
  14. 10. More Specifics about Sergei
  15. 11. Kapitonich, Hall Porter at the Karenin Palace
  16. 12. Claudia and Sergei at Table
  17. 13. Aleksandra and Volodin Go to the Haven
  18. 14. Our Moment of Greatness
  19. 15. With Father Gapon
  20. 16. Clementine, in Pursuit of the Night
  21. 17. In the Karenin Palace Kitchen
  22. 18. We’ll Give Our Lives!
  23. 19. The Karenins Take Dinner
  24. Part Two: Bloody Sunday: Sunday, January 9, 1905
  25. 20. Anya Karenina without Aleksandra
  26. 21. The Karenins’ Reply to the Tsar
  27. 22. Piotr
  28. 23. The Three Women
  29. 24. Claudia’s Impatience
  30. 25. Unexpected Guests at the Karenin Palace
  31. 26. What on Earth Was the Tsar Thinking?
  32. 27. Back in the Karenin Palace Kitchen
  33. 28. The Reverend’s Beard
  34. Part Three: Karenina’s Portrait: Three months later
  35. 29. Karenina’s Portrait
  36. 30. About Clementine
  37. 31. The Critics Examine the Portrait
  38. 32. Vladimir
  39. 33. The Reason for the Proposed Purchase
  40. 34. The Portrait Departs
  41. 35. Between the Dream and the Battleship Potemkin
  42. 36. Claudia’s Regrets
  43. 37. In Claudia’s Hands
  44. Part Four: The Book of Anna: No date or place
  45. 38. An Opium-Infused Fairy Tale: The Book of Anna by Anna Karenina
  46. Part Five: Finale: St. Petersburg, June 1905
  47. 39. After Reading
  48. 40. The Plot
  49. 41. The Boxes
  50. 42. Anya Karenina
  51. 43. The Wind
  52. Funder Acknowledgments
  53. The Publisher’s Circle of Coffee House Press

Once again, the Forest Girl eats and dresses well; she soon forgets what she has done and that she’s been evicted from paradise. The gold on her finger doesn’t disappear. At night, when she sleeps, the golden finger does what the leather-bound key once did. It nestles between her legs and finds a way to give her pleasure.

The wedding takes place, the Forest Girl shares her bed with the king before he retires to his rooms, and after several encounters, she is surprised to discover how pleasurable it is to be with him in this way. The king loves her. The Forest Girl loves the pleasure she gives the king, loves his velvet and his satin, loves how well the servants treat her. She loves her hairdresser, who ornaments her hair with precious stones. She loves the baker, who makes delicious pastries. She loves the kingdom’s cheeses and its bread. She also loves her memory of a ball that lasted all night in a gorgeous palace. And even more than that ball, she loves the gaze and the arms of her prince.

• • •

One night when she’s falling asleep, she sees her whole life, from when she had a father, a mother, hunger, and a name (Anna) to when she became the Forest Girl. Then she went back to being Anna, but her name was Cinderella, and then she became a queen. How does one girl become another, and then another? Her story is one of hunger and laughter, then one of adoption by a cold, luminous woman who gives her the keys to know herself and tests her. And before she even learns what she likes, the keys take advantage of her, making her feel a pleasure she neither understands nor wants, playing—without her realizing it—with what she ought to have been seeking. Sleep takes its hold, and she has a dream in which she becomes the Girl Who Walked on Bread:

Once upon a time there was a woodsman who lived with his wife at the edge of a poor village. They lived in misery; in front of their hut, there was a muddy stream swarming with flies. Because the woodsman and his wife were devout, peaceful people who were more virtuous than any of their neighbors, the saints blessed them with a strikingly beautiful daughter. Though she was lovely to behold, she was arrogant and mean-hearted. She looked down on her parents for their poverty and gentleness. She called them shameful names. She liked to step on her mother’s apron for fun.

“What are we going to do with her?” her mother would say. “She has every reason to look down on us: we’re poor, we’re humble, but she’s all we have! Today she steps on my apron, tomorrow she’ll step on my face.”