Back The Book of Anna
Chapters (53)
  1. Cover
  2. Title Page
  3. An Explanation of What This Book Is About
  4. Part One: Anna’s Sergei and Anya’s City: St. Petersburg, Saturday, January 8, 1905
  5. 1. On the Heels of Clementine, the Anarchist
  6. 2. Claudia and Sergei
  7. 3. Clementine Defends Herself
  8. 4. To the Concert
  9. 5. The Tsar’s Letter
  10. 6. In the Theater
  11. 7. What Giorgi, the Karenins’ Coachman, Did
  12. 8. Intermission at the Concert
  13. 9. Near the Port
  14. 10. More Specifics about Sergei
  15. 11. Kapitonich, Hall Porter at the Karenin Palace
  16. 12. Claudia and Sergei at Table
  17. 13. Aleksandra and Volodin Go to the Haven
  18. 14. Our Moment of Greatness
  19. 15. With Father Gapon
  20. 16. Clementine, in Pursuit of the Night
  21. 17. In the Karenin Palace Kitchen
  22. 18. We’ll Give Our Lives!
  23. 19. The Karenins Take Dinner
  24. Part Two: Bloody Sunday: Sunday, January 9, 1905
  25. 20. Anya Karenina without Aleksandra
  26. 21. The Karenins’ Reply to the Tsar
  27. 22. Piotr
  28. 23. The Three Women
  29. 24. Claudia’s Impatience
  30. 25. Unexpected Guests at the Karenin Palace
  31. 26. What on Earth Was the Tsar Thinking?
  32. 27. Back in the Karenin Palace Kitchen
  33. 28. The Reverend’s Beard
  34. Part Three: Karenina’s Portrait: Three months later
  35. 29. Karenina’s Portrait
  36. 30. About Clementine
  37. 31. The Critics Examine the Portrait
  38. 32. Vladimir
  39. 33. The Reason for the Proposed Purchase
  40. 34. The Portrait Departs
  41. 35. Between the Dream and the Battleship Potemkin
  42. 36. Claudia’s Regrets
  43. 37. In Claudia’s Hands
  44. Part Four: The Book of Anna: No date or place
  45. 38. An Opium-Infused Fairy Tale: The Book of Anna by Anna Karenina
  46. Part Five: Finale: St. Petersburg, June 1905
  47. 39. After Reading
  48. 40. The Plot
  49. 41. The Boxes
  50. 42. Anya Karenina
  51. 43. The Wind
  52. Funder Acknowledgments
  53. The Publisher’s Circle of Coffee House Press

Sergei occupies the very same seat that his mother did when, accompanied by Princess Varvara (of the questionable reputation), she attended the theater in defiance of the way she had been ostracized for living with Vronsky. It was the very same concert where Madame Kartasova spat out “I’m ashamed to sit next to her.” Today’s letter has made him hypersensitive, and everything from the dirty snow outside the theater to the box that reminds him of Kartasova sharpens the pain of that insult, flagellating him, as if it had been directed at him. It’s like a menacing cloud that burns and asphyxiates him.

But more than anything else, it’s Anya that’s upsetting him. Because she looks so much like Anna, it’s like a megaphone is repeating, You’re Karenina’s son; she fell in love with Vronsky and abandoned you. And what did she see in Vronsky? You saw something, his bald spot, you saw it from the window in your wet nurse Marietta’s room.

Anya had exacerbated his father’s sadness, and even worse, she was a constant reminder that he and Anya had been written by Tolstoy. That’s what he really can’t bear.

What’s wrong? Sergei? Claudia asks with a pointed look (because Anya is sitting between them). She also says, Stop heaving such deep sighs, calm down!

I don’t know why my heart’s so heavy, Sergei replies silently with an anxious look.

When the lights go down and the music starts, Sergei still feels the same; he can’t enjoy what he’s hearing. I’m sunk, he tells himself once more, I’m utterly and completely sunk, as if he’s in his own personal opera, now sharp, now serious, now quick, now slow, sunk, sunk! It’s as if Sergei’s composing his own aria.

Anya is listening without hearing a thing. The music has a pleasant effect on her, apart from the fact that, paradoxically, it makes her both more sociable and more withdrawn. She deals with these contradictory impulses by picking up the mother-of-pearl opera glasses she inherited from her mother. The opera glasses and the relative stillness of the audience conspire to engross her in her own thoughts.