The roll-up bay door is retracted, and through the concrete space and out the big square opening is the tarmac and the clean blue sky. Cars and CFC vehicles, all of them white, shine in the fall morning light, and enclosing the lot is the black PVC-coated anti-climb fence, and over the top of it, rising above my titanium-skinned building on two sides, are brick-and-glass MIT labs with radar dishes and antennas on the roofs. To the west is Harvard and its divinity school near my house, which of course I can’t make out above the barricade of dense dark fencing that keeps the world away from those I take care of, my patients, all of them dead.

I emerge onto the tarmac as a white Tahoe rumbles toward me. The air is cool and clear like glass, and I pull on my jacket, grateful that Bryce chose my attire for the day. I’m reminded of how unexpected it is that I’ve grown accustomed to a chief of staff who cares about my wardrobe. I’ve come to like what at first I resisted, although his attending to me encourages forgetfulness on my part, a complete disinterest in relatively unimportant details he can easily manage or fix. But he was right, I will need the jacket because it will be cold on the boat and there’s a very good chance I will get wet. If anyone has to go into the water, it will be me. I’m already convinced of that.

I will insist on seeing for myself exactly what we’re dealing with and making sure the death is managed the way it should be, precisely and respectfully, beyond reproach and in anticipation of any legal accusations, because there are always those. Marino can help me or not, but he’s no diver and doesn’t do well in a wetsuit or a drysuit, says they make him feel as if he’s suffocating, and he isn’t much of a swimmer. He can stay on the boat, and I will take care of things on my own. I’m not going to squabble with him or anyone. I’ve had my fill of squabbling and worrying about the slightest thing that can be misinterpreted. As if I would have an affair with Anna Zenner’s nephew, who, even if I were single, would be far more compatible with Lucy, were she inclined that way.

I’m not Luke’s de facto mother, and what continues to cut me to the bone about Benton’s remark is the suggestion that I’m old.

Old like a Eurostile font evocative of a past era, the fifties and sixties, which I scarcely can recall and don’t want to believe I’m from.

I feel Benton’s implication like an internal injury that chronically smarts, a depressing symptom of being damaged and not knowing it until he spoke those angry words to me in Vienna. I’ve perceived myself differently since he said it, and I’m not sure I can get over the deeper wounding it has done.