Back The Bone Bed Save as PDF
Chapters (48)
  1. also by patricia cornwell
  2. title page
  3. copyright
  4. dedication
  5. contents
  6. prologue
  7. one
  8. two
  9. three
  10. four
  11. five
  12. six
  13. seven
  14. eight
  15. nine
  16. ten
  17. eleven
  18. twelve
  19. thirteen
  20. fourteen
  21. fifteen
  22. sixteen
  23. seventeen
  24. eighteen
  25. nineteen
  26. twenty
  27. twenty-one
  28. twenty-two
  29. twenty-three
  30. twenty-four
  31. twenty-five
  32. twenty-six
  33. twenty-seven
  34. twenty-eight
  35. twenty-nine
  36. thirty
  37. thirty-one
  38. thirty-two
  39. thirty-three
  40. thirty-four
  41. thirty-five
  42. thirty-six
  43. thirty-seven
  44. thirty-eight
  45. thirty-nine
  46. forty
  47. two nights later
  48. credits

“You might be right,” I reply, as we speed back toward Boston’s inner harbor. “The way the body was tethered, she couldn’t have been dragged very far without being pulled apart.”

“Five thirty-four-pound bags soaked with water, and when that shit gets wet it weighs even more and sticks together like concrete,” Marino says. “So it’s not like something that was going to dissolve and leach out of the bags anytime soon. Plus, the weight of the crate. We’re talking at least one-sixty, maybe two hundred pounds, pulling on the body. A hell of a lot of stress on her neck.”

“Any idea how long she’s been in the water?” Labella turns around in his chair, the boat slapping up and down as we speed through the bay.

“Probably not long.” I think about Channing Lott’s trial, about the timing. “The big question’s going to be where she died and where she’s been since.”

“It doesn’t look like her,” Marino says to me, and there’s no need for him to elaborate.

I know what he’s conveying, and the thought crossed my mind, too, at first, but only briefly, only long enough to be face-to-face with her. She isn’t remotely familiar. I’ve studied photographs of Mildred Lott, a very young fifty, shapely and fit, with long blond hair and all the perfections her financial status could afford. I know about her every surgery, liposuction, and injection, having familiarized myself with records the police provided for me after she disappeared from her Gloucester home last March.

“I have no idea who she is, but it’s not her,” I inform Marino, the Boston skyline straight ahead. “I don’t need to wait for DNA to tell us that.”

“Someone’s going to make a stink about it being her until we let everyone know otherwise,” he predicts.

“We won’t be letting anyone know anything until she’s identified and it’s safe to release information that’s not going to help whoever did this.”

“If she’d been torn into pieces and we couldn’t recover her? Everyone would believe it’s Mildred Lott.” Marino is thinking about my appearing in court today. “People would be sure of it.” He’s saying a jury would. “They’d believe she turned up after all these months, and maybe that’s the point of the way she was rigged. To also rig the trial, to booby-trap it so the case falls apart at the last minute.”

He’s referring to the notorious antics of Jill Donoghue, and as I understand it, I’m the last witness the defense is calling before resting a case that’s been spectacularly highlighted in the news.

“You got to admit the timing’s unusual. In fact, it’s damn scary,” he says. “I’m not sure it isn’t deliberate.”