Back The Bone Bed Save as PDF
Chapters (48)
  1. also by patricia cornwell
  2. title page
  3. copyright
  4. dedication
  5. contents
  6. prologue
  7. one
  8. two
  9. three
  10. four
  11. five
  12. six
  13. seven
  14. eight
  15. nine
  16. ten
  17. eleven
  18. twelve
  19. thirteen
  20. fourteen
  21. fifteen
  22. sixteen
  23. seventeen
  24. eighteen
  25. nineteen
  26. twenty
  27. twenty-one
  28. twenty-two
  29. twenty-three
  30. twenty-four
  31. twenty-five
  32. twenty-six
  33. twenty-seven
  34. twenty-eight
  35. twenty-nine
  36. thirty
  37. thirty-one
  38. thirty-two
  39. thirty-three
  40. thirty-four
  41. thirty-five
  42. thirty-six
  43. thirty-seven
  44. thirty-eight
  45. thirty-nine
  46. forty
  47. two nights later
  48. credits

Which was stopping the boat and shutting down the engine so he could push the dog crate, the boat fender, and the body overboard. I try to envision it and can’t imagine hoisting a crate containing more than a hundred and fifty pounds of cat litter, dropping it and a body over a high side rail. A dive platform, a boat with an open transom, I consider. The cut-down transom of lobster boats around here that make it easier to launch pots and buoys, boats that are ubiquitous at all hours and in all types of weather, attracting no attention, and I try to reconstruct it.

The open transom of an old wooden boat that’s been repainted, and the crate, the fender, the body pushed into the water at the same moment a gigantic leatherback became entangled with fishing tackle, with an old bamboo pole, is there. I see the strike, the encounter, I almost can. The turtle surfacing for air, dragging the fishing gear wound around him, and running into the bottom of a boat, perhaps glancing off its prop, and now he’s dangerously trussed up in yellow nylon buoy line, weighted down, slowing down, pulling his burden until it almost pulls him under.

It’s quite likely the killer wasn’t aware of the leatherback, knew nothing of what occurred. For one thing, I suspect it was dark, and I imagine the boat near Logan, where the e-mail was sent from Emma Shubert’s iPhone on Sunday at six-twenty-nine p.m., and then this person waited, possibly for hours, until he was sure no one would see him.

“What makes you say a number of years ago?” I ask Ernie. “You’re able to date when the hull originally was painted black?”

“Traces of TBT,” he says.

The paint contains tributyltin oxide, he explains, an antifouling biocide that has decimated marine life—shellfish, in particular—killing them off, causing them to mutate. TBT is one of the most toxic chemicals ever deliberately released into the world’s water and has been illegal in high-traffic areas such as harbors and bays since the late 1980s. But the ban unfortunately doesn’t include oil tankers and military vessels.

“So unless the boat in question is military or a tanker, and I seriously doubt it, then the boat you’re looking for could be at least twenty years old,” he adds, as Benton looks for parking on the street near Machado’s Crown Vic.

Howard Roth has no driveway, his small frame house overtaken by trees and shrubs behind an abandoned factory on Bigelow Street in an area that’s a mixture of historic homes and Harvard apartments and affordable housing. While I can’t see it from where we are, I know that Fayth House is but a few blocks west on Lee Street, an easy walk from here. I continue to wonder if Peggy Stanton might have volunteered there.