Back The Bone Bed Save as PDF
Chapters (48)
  1. also by patricia cornwell
  2. title page
  3. copyright
  4. dedication
  5. contents
  6. prologue
  7. one
  8. two
  9. three
  10. four
  11. five
  12. six
  13. seven
  14. eight
  15. nine
  16. ten
  17. eleven
  18. twelve
  19. thirteen
  20. fourteen
  21. fifteen
  22. sixteen
  23. seventeen
  24. eighteen
  25. nineteen
  26. twenty
  27. twenty-one
  28. twenty-two
  29. twenty-three
  30. twenty-four
  31. twenty-five
  32. twenty-six
  33. twenty-seven
  34. twenty-eight
  35. twenty-nine
  36. thirty
  37. thirty-one
  38. thirty-two
  39. thirty-three
  40. thirty-four
  41. thirty-five
  42. thirty-six
  43. thirty-seven
  44. thirty-eight
  45. thirty-nine
  46. forty
  47. two nights later
  48. credits

“Marine paint,” he says right off. “No big surprise, since the turtle obviously was in the water when he bumped into something or something bumped into him. An antifouling paint loaded with copper to retard the growth of barnacles, mussels, and so on. Also zinc, which would be consistent with primer.”

“And consistent with the color,” I reply. “That yellowish-green brings to mind a zinc-based primer.”

“Microscopically, you got more than one color,” he says. “In fact, you got three.”

We cross Massachusetts Avenue, City Hall up ahead, Romanesque, with a bell tower and stone walls trimmed in granite, and Ernie explains that the traces of paint transferred to the barnacle and also to the broken end of the bamboo pole came from the bottom of a boat. Possibly the prop or an anchor or anchor chain that at one time, he says, probably a number of years ago, was painted black.

“Often whatever is used to paint the bottom of a boat is also used on other areas that remain submerged when the boat is moored,” he adds.

“A quick-and-dirty way of doing it,” I reply, as Benton turns at the YMCA. “Use the same paint on everything.”

“Quick-and-dirty is what a lot of people do, and then there are those who don’t give a damn and are really sloppy and irresponsible,” Ernie says. “Whoever painted the boat you’re looking for falls into that category.”

It doesn’t fit with what I think of him, a killer tidy and meticulous, who plots and plans in his malignant fantasyland.

“The zinc-based primer went on top of the old paint, which wasn’t sanded off; someone couldn’t be bothered.” Ernie continues to describe what he found on a swipe of color almost invisible to the unaided eye.

A boat this person uses for his evil but not for his leisure, not for his pleasure.

“And over that a deep red coating with copper or cuprous oxide, which is usually used on wood,” he says. “I have a feeling the boat you’re looking for has a lot of chipped, peeled, or damaged red topcoat, some areas of exposed primer. In other words, something not well maintained at all.”

An old boat in ill repair that probably isn’t registered in his name or docked where he lives or even near there.

“If it were a prop, wouldn’t you have expected more damage to the turtle?” I ask.

“If the prop was turning, yes. But maybe it wasn’t. Maybe the person cut the engine while he did what he did.”

Did what he did.