Back The Blue Sky
Chapters (11)
  1. Cover
  2. Title Page
  3. Dedication
  4. Introduction
  5. The ream
  6. Grandma
  7. The Ail
  8. Farewell
  9. Arsylang
  10. Glossary
  11. Words to Accompany My Blue Sky Child

GALSAN TSCHINAG, whose name in his native Tuvan language is Irgit Schynykbajoglu Dsurukuwaa, was born in the early forties in Mongolia. He is the author of more than thirty books, and his work has been translated into many languages. In 2009, Tschinag created the Galsan Tschinag Foundation with the goal of planting one million trees in Mongolia and the Altai Mountain region. The author divides his time between Ulaanbataar, the High Altai, and Germany.

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Jonathan Rout

KATHARINA ROUT is a literary translator of contemporary German-language fi tion. She grew up in Germany and received a Ph.D. in German literature before moving to Canada, where she became a professor of English literature.

ABOUT SEEDBANK

Just as repositories around the world gather seeds in an effort to ensure biodiversity in the future, Seedbank gathers works of literature from around the world that foster reflection on the relationship of human beings with place and the natural world.

SEEDBANK FOUNDERS

The generous support of the following visionary investors makes this series possible:

Anonymous

Meg Anderson and David Washburn

The Hlavka Family

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Founded as a nonprofit organization in 1980, Milkweed Editions is an independent publisher. Our mission is to identify, nurture and publish transformative literature, and build an engaged community around it.

We are aided in these missions by generous individuals who underwrite specific ooks on our list. Special underwriting for The Blue Sky was provided by the Greystone Foundation, given in honor of George R. A. Johnson.

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Interior design by Mary Austin Speaker

Typeset in Caslon

by Anita Stasson

Adobe Caslon Pro was created by Carol Twombly for Adobe Systems in 1990. Her design was inspired by the family of typefaces cut by the celebrated engraver William Caslon I, whose family foundry served England with clean, elegant type from the early Enlightenment through the turn of the twentieth century.

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