Back The Black Earth
Chapters (56)
  1. Cover
  2. THE BLACK EARTH
  3. Dedication
  4. Contents
  5. BOOK I
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. BOOK II
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. CHAPTER TWELVE
  19. CHAPTER THIRTEEN
  20. CHAPTER FOURTEEN
  21. CHAPTER FIFTEEN
  22. CHAPTER SIXTEEN
  23. CHAPTER SEVENTEEN
  24. CHAPTER EIGHTEEN
  25. CHAPTER NINETEEN
  26. CHAPTER TWENTY
  27. BOOK III
  28. CHAPTER TWENTY-ONE
  29. CHAPTER TWENTY-TWO
  30. CHAPTER TWENTY-THREE
  31. CHAPTER TWENTY-FOUR
  32. CHAPTER TWENTY-FIVE
  33. CHAPTER TWENTY-SIX
  34. CHAPTER TWENTY-SEVEN
  35. CHAPTER TWENTY-EIGHT
  36. CHAPTER TWENTY-NINE
  37. CHAPTER THIRTY
  38. CHAPTER THIRTY-ONE
  39. CHAPTER THIRTY-TWO
  40. CHAPTER THIRTY-THREE
  41. CHAPTER THIRTY-FOUR
  42. BOOK IV
  43. CHAPTER THIRTY-FIVE
  44. CHAPTER THIRTY-SIX
  45. CHAPTER THIRTY-SEVEN
  46. CHAPTER THIRTY-EIGHT
  47. CHAPTER THIRTY-NINE
  48. CHAPTER FORTY
  49. CHAPTER FORTY-ONE
  50. CHAPTER FORTY-TWO
  51. CHAPTER FORTY-THREE
  52. CHAPTER FORTY-FOUR
  53. CHAPTER FORTY-FIVE
  54. About the Author
  55. By Philip Kazan
  56. Copyright

‘Over there,’ the man says, pointing to one of the nearest fields. A young man is standing near its gate, putting a saddle on a small, shaggy creature. As they get closer, Tom sees it is one of the wild-looking ponies who live up on the open moor, though smaller than usual.

The pony’s name is Vulcan, Mr Symington tells them, and he is an Exmoor pony, not a Dartmoor pony, something which the two men find quite funny. ‘He’s a bit of a stick-in-the-mud,’ Mr Symington says. ‘Fat as a lardy cake and lazy with it. My little girl finds him dreadfully dull. But he’ll do for a beginner.’ The young groom leaves them, and so does Mr Symington, promising to return with ‘provisions’.

‘Now, then, Tommy. Up you get, old chap.’ Daddy is holding the pony’s bridle. The beast has velvety fur the colour of dark caramel. Tom reaches out and strokes it, cautiously. It feels like the old sofa in the nursery at Da’s house in London. He looks into the pony’s eyes, hoping to find some comradeship or perhaps sympathy, but they are as unfathomable as two large, wet black marbles. Daddy is watching him from under the brim of his hat, and Tom can sense his impatience. Daddy is always impatient, except when he is laughing with his friends, or riding off somewhere, or cleaning his guns. But there are different levels, and Tom has become sensitive to them all. He can tell whether Daddy is mildly bored, irritated, or about to erupt in fury. Now, he is about to become irritated. Tom takes hold of the saddle, as he has seen Daddy and Mummy do. Daddy says nothing, but Tom knows his performance is being scrutinised. Everything he does with Daddy seems to be a test. He lifts his booted foot and puts it through the stirrup, which is wet and slippery. It takes him a few tries before he can get his weight onto it. His heart is pounding. But Daddy says nothing: no advice, no encouragement. He grits his teeth and pulls himself up. To his intense relief he manages to swing his leg over the pony’s back and suddenly he is sitting in the saddle. He beams at Daddy, who merely gives him a satisfied nod. Tom sits, feeling the wet soak in through the seat of his trousers. So this is a saddle. He is surprised by how uncomfortable it is. Daddy lets go of the bridle and stands back, hands clasped behind his back. He raises his chin and narrows his eyes.