Chapters (56)
- Cover
- THE BLACK EARTH
- Dedication
- Contents
- BOOK I
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- BOOK II
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- BOOK III
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER THIRTY-FOUR
- BOOK IV
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- CHAPTER THIRTY-EIGHT
- CHAPTER THIRTY-NINE
- CHAPTER FORTY
- CHAPTER FORTY-ONE
- CHAPTER FORTY-TWO
- CHAPTER FORTY-THREE
- CHAPTER FORTY-FOUR
- CHAPTER FORTY-FIVE
- About the Author
- By Philip Kazan
- Copyright
Zoë, if you are alive, do whatever you can to stay safe. I often think, these days, that the conscientious objectors had it absolutely right after all: humanity has turned on itself, and being a soldier just perpetuates the horror. I’m not really a soldier any more, but I am in uniform. What does that make me? A professional voyeur? I write this, and the corpse of the SS man – a corporal, probably eighteen or nineteen, stares at me through his filmy eyes. I don’t mind him at all. I’m so used to the dead that I give him no more thought than someone behind me at a bus stop. But you would say that this has all happened before. You saw it, didn’t you, my darling, when you were a little girl? And you survived. So I hope – I would pray if I had anything to pray to – that you will survive. The dead woman in the black dress has There are so many dead around here that sometimes one finds oneself talking to them. The dead are quite solicitous: they listen, and they don’t scrounge your cigarettes. I think that is what my job is, to some extent: a dialogue with the dead. I can’t bear the thought. We have to keep talking to the living, though. We have to keep writing.
I am going to get out of here. I’m almost at the end of this commission and there must be something further east for me. What, I don’t know. This world has no love in it, Zoë. But I still love you. More than life itself: certainly a thousand times more than I love my own life. I am going to go east. I’ll tell you more when I have my new orders. Keep yourself as safe as you can, my darling. Surely to God this is almost over.
All my love,
Tom
CHAPTER THIRTY-TWO
Cannes, 25th August 1944
Dearest,
My Thomas Cook itinerary continues. I’m writing to you from, of all places, the Croisette in Cannes. Beyond the palm trees is the beach, currently empty of Hollywood starlets and minor European aristocracy, but honestly, it doesn’t feel as if there’s been a war here at all, and all the bright young things have just slipped into their hotels for a quick siesta. The Croisette itself is an endless parade of Citroëns and Renaults filled with young French men and women waving sten guns and flags: Stars and Stripes, the Union Jack, but most of all the lovely old Tricolour. Liberation is a word that makes sense here, as it didn’t in Normandy.