Chapters (9)
heedless larks dumdum bullets
suddenly shoot out of the sky—
wind wipes away this blue stupor
gold grass quivering
clouds volatile as carbonic acid
cherry shines white in the sun.
A BREAK
Up in that gaudy space’s
upper section a buttercup is blooming
(high-class buttercup it is but
rather than butter, from sulphur and honey)
below that, wild parsley and clover
and a dragonfly of worked tinplate.
rain crackles,
oriole cries in the
silverberry tree …
stretch out on the grass,
there’s white and black both in the clouds;
it all goes shining, seething up.
fling off my hat it’s the sooty cap of a mushroom
roll over and tilt my head back
over the edge of the dike.
yawn; shiny demons come out of space.
this hay’s soft, it’s a first-rate bed.
clouds all picked to bits,
the blue becomes eyes in a huge net, an
underlying glimmering steel plate
oriole without break—
sunshining crackling
DAWN
Rolling snow turned peach-color
the moon
left alone in the fading night
makes a soft cry in the heavens
and once more
drinks up the scattered light
(parasamgate, bodhi, svaha!)
SOME VIEWS CONCERNING THE PROPOSED SITE OF A NATIONAL PARK
Well how do you like this lava flow?
not very scenic, is it.
don’t know how long ago it was spit out
on a sunny day like this you see the heat waves
just like a huge pan
and the snow up on the peak blue and simmering
say, have a sandwich.
why on earth don’t you want to
develop this area?
it’s a real good possibility—
mountains all around
crater lakes, hot springs, right there.
Saddle Mountain
well of course Saddle Mountain
and that big crater’s probably
older than hell itself.
why sure! you could fix it up like Hell
with a real oriental charm to it, huh
a stockade of red spears
weird-shaped old dead trees put around
and plant flowers here and there,
well, flowers, I mean sort of things like uh
jimsonweed and viper grass
black wolfsbane and such
anyhow, make it gruesome, huh.
tourists will flock from all over.
we could get some mean looking guys
shave their heads
and make gates out of rock here and there
and drag the folks that come, around barefoot
—you know—
by the “cuckoo singing on the path after death”
and the “ford of the river of the three ways”
“the gate to the new womb” at Yama’s office
then, having expiated all their sins
we can sell them certificated for Heaven.
afterwards—at those three wooded hills
we could put on symphonies, huh
first movement: allegro con brio, like springing forth
second movement: sort of “andante”
third movement: like a lament
fourth movement: feeling of death
you know how it goes—at first kind of sorrowful
then bit by bit getting joyous.
at the end, on this side of the hill
hide two field-cannons