Contents ( 25)
- The Age of Innocence
- Wild & Wanton Edition, Volume 2
- Coco Rousseau
- Edith Wharton
- Acknowledgments
- Contents
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- About The Authors
- More from This Author
- (From A Room with a View by Coco Rousseau and E.M. Forster)
He had insisted that the library curtains should draw backward and forward on a rod, so that they might be closed in the evening, instead of remaining nailed to a gilt cornice, and immovably looped up over layers of lace, as in the drawing-room; and he pulled them back and pushed up the sash, leaning out into the icy night. The mere fact of not looking at May, seated beside his table, under his lamp, the fact of seeing other houses, roofs, chimneys, of getting the sense of other lives outside his own, other cities beyond New York, and a whole world beyond his world, cleared his brain and made it easier to breathe.
After he had leaned out into the darkness for a few minutes he heard her say: “Newland! Do shut the window. You’ll catch your death.”
He pulled the sash down and turned back. “Catch my death!” he echoed; and he felt like adding: “But I’ve caught it already. I AM dead—I’ve been dead for months and months.”
And suddenly the play of the word flashed up a wild suggestion. What if it were SHE who was dead! If she were going to die—to die soon—and leave him free! The sensation of standing there, in that warm familiar room, and looking at her, and wishing her dead, was so strange, so fascinating and overmastering, that its enormity did not immediately strike him. He simply felt that chance had given him a new possibility to which his sick soul might cling. Yes, May might die—people did: young people, healthy people like herself: she might die, and set him suddenly free.
She glanced up, and he saw by her widening eyes that there must be something strange in his own.
“Newland! Are you ill?”
He shook his head and turned toward his arm-chair. She bent over her work-frame, and as he passed he laid his hand on her hair. “Poor May!” he said.
“Poor? Why poor?” she echoed with a strained laugh.
“Because I shall never be able to open a window without worrying you,” he rejoined, laughing also.
For a moment she was silent; then she said very low, her head bowed over her work: “I shall never worry if you’re happy.”
“Ah, my dear; and I shall never be happy unless I can open the windows!”
“In THIS weather?” she remonstrated; and with a sigh he buried his head in his book and did not notice when May rose from her chair, setting her needlework aside.
“Darling, look at me,” she said.
Newland looked up, surprised that she was standing before him. She had a lustful look in her eyes, although her face lacked its usual youthful vivacity.
“Not tonight, May,” he said wearily.
“It must be,” she said. She dropped to her knees, circled her arms around his calves, and laid her chin upon his lap. “I’ve missed you, Newland. I can’t remember how long it’s been.”
“You’re tired, and I am as well.”
“Then I will pleasure you.” She rose up slightly and slid her hands up his thighs to his loins.