Back Tennessee Williams
Chapters (21)
  1. Cover
  2. Tennessee Williams: 1911–1983
  3. Foreword by Terrence McNally
  4. At Liberty
  5. The Magic Tower
  6. Me, Vashya
  7. Curtains for the Gentleman
  8. In Our Profession
  9. Every Twenty Minutes
  10. Honor the Living
  11. The Case of the Crushed Petunias
  12. Moony’s Kid Don’t Cry
  13. The Dark Room
  14. The Pretty Trap
  15. Interior: Panic
  16. Kingdom of Earth
  17. I Never Get Dressed Till After Dark on Sundays
  18. Some Problems for The Moose Lodge
  19. Notes on the Text
  20. Bibliographic Sources
  21. Acknowledgments

CHARLIE [returning with beers]: You know what Doc Crane said about Mom’s over-eatin’.

CORNELIUS: Told her to quit or accept the consequences, such as— lookin’ like a side-show exhibit.

CHARLIE: You want a beer, Mr. Sykes?

CORNELIUS: He wants it opened first, Charlie.

CHARLIE: Opener’s in the kitchen. I’ll go git it.

CORNELIUS: Yais, that’s a brilliant idea . . .

CHARLIE: Mom, got a bottle opener in there?

[Bella comes huffing back again as Charlie enters kitchen door.]

BELLA [from offstage]: Bottle opener? Yeah, yeah. [A crash is heard from kitchen.]

CHARLIE: Watch it. Didja hurt yourself, Mom?

BELLA: Bottle opener?

CHARLIE: ’Sall right, Mom. I got it.

BELLA: Charlie, don’t eat both bottles.

CHARLIE: They’re for Mr. Sykes, Mom.

BELLA: Good, good. Glad to hear that!

CORNELIUS: Eat! Bottles! Jesus!

CHARLIE: Doc Crane says she eats because of anxiety feelings.

CORNELIUS: Anxiety over what there is to eat next?

CHARLIE: Mom was thin an’ beautiful in her weddin’ picture, and I bet that she ate light till she discovered your secret attitude toward us all was total indifference—if not worse.

EMERSON [overlapping and rising]: I think I better—

CHARLIE [overlapping]: Disappointment, anxiety an’ depression is what makes her stuff.

EMERSON [overlapping]: Leave you all till this family dispute is—

STACEY: Charlie?

[They all turn to observe her for the first time on the landing. Emerson Sykes shakes his head and slips out the front door.]

CHARLIE [With nervous heartiness]: Come on down here, Stacey.

STACEY: My clo’se are still drenched.

CHARLIE: We walked here from the bus station in the rain.

STACEY: Wasn’t a cab at the depot. Lent my raincoat to a friend who left town with it, ha ha!

CHARLIE: I’ll light the gas-logs in the fireplace.

STACEY: Good, good. I’d appreciate that. [She hitches up her skirt on the landing to adjust her pantyhose.]

CORNELIUS: Tell her not to come down till she’s completed dressing.

STACEY: My pantyhose just don’t fit right.

CORNELIUS: Jesus.

STACEY: I never did like these things, preferred to wear regular garters but they’re hard to get now, seen to’ve gone out of style.

CORNELIUS: What’s she tawkin’ about?

STACEY: Awright, got it fixed now.

[She comes downstairs, her face beaming nervously.]

CHARLIE: This is Stacey, Pop.

STACEY: Hi, Pop.

CORNELIUS: Excuse me for not gettin’ up.

CHARLIE: Pop’s got arthritis, Stacey.

STACEY: That’s all right. My Granddaddy’s got that, too. I know all about that.

BELLA: Here’s eggs. [Bella enters the living room with a tray bearing a moist and frowsy-looking omelet.]

CHARLIE: Mom, this is Stacey.

BELLA [To Stacey]: Why, how d’you do. [Noticing her stomach.] How d’ you do. I thought you all might be hungry so I—

CORNELIUS: My wife thinks everyone’s hungry.

STACEY: Well, I happen to be. —Hello, Mom.

BELLA: Hello. What’s your name, honey?