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Contents ( 26)
  1. TALES OF THE THE DYING EARTH
  2. Table of Contents
  3. The Dying Earth
  4. The Dying Earth
  5. 1. TURJAN OF MIIR
  6. 2. MAZIRIAN THE MAGICIAN
  7. 3. T'SAIS
  8. 4. LIANE THE WAYFARER
  9. 5. ULAN DHOR
  10. 6. GUYAL OF SFERE
  11. The Eyes of the Overworld
  12. Cugels Saga
  13. Cugels Saga
  14. CHAPTER I FROM SHANGLESTONE STRAND TO SASKERVOY
  15. CHAPTER II FROM SASKERVOY TO TUSTVOLD MUD-FLATS
  16. CHAPTER III FROM TUSTVOLD TO PORT PERDUSZ
  17. CHAPTER IV FROM PORT PERDUSZ TO KASPARA VITATUS
  18. CHAPTER V FROM KASPARA VITATUS TO CUIRNIF
  19. CHAPTER VI FROM CUIRNIF TO PERGOLO
  20. Rhialto the Marvellous
  21. Rhilato the Marvellous
  22. Foreword
  23. 1 The Murthe
  24. 2 Fader's Waft
  25. 3 Morreion
  26. Footnotes

"Did you enjoy that?" asked Guyal, when he had finished.

"Very much. Perhaps you would try it on Uncle Ludowik's flute? It is a fine flute to play, very soft and easy to the breath."

"No," said Guyal, with sudden obstinacy. "I am able to play only my own instrument." He blew again, and it was a dance of the festival, a quirking carnival air. Ludowik, playing with supernal skill, ran merry phrases as might fit, and Ameth, carried away by the rhythm, danced a dance of her own, a merry step in time to the music.

Guyal played a wild tarantella of the peasant folk, and Ameth danced wilder and faster, flung her arms, wheeled, jerked her head in a fine display. And Ludowik's flute played a brilliant obbligato, hurtling over, now under, chording, veering, warping little silver strings of sound around Guyal's melody, adding urgent little grace-phrases.

Ludowik's eyes now clung to the whirling figure of the dancing girl.

And suddenly he struck up a theme of his own, a tune of wildest abandon, of a frenzied beating rhythm; and Guyal, carried away by the force of the music, blew as he never had blown before, invented trills and runs, gyrating arpeggios, blew high and shrill, loud and fast and clear.

It was as nothing to Ludowik's music. His eyes were starting; sweat streamed from his seamed old forehead; his flute tore the air into quivering ecstatic shreds.

Ameth danced frenzy; she was no longer beautiful, she appeared grotesque and unfamiliar. The music became something more than the senses could bear. Guyal's own vision turned pink and gray; he saw Ameth fall in a faint, in a foaming fit; and Ludowik, fiery-eyed, staggered erect, hobbled to her body and began a terrible intense concord, slow measures of most solemn and frightening meaning.

Ludowik played death.

Guyal of Sfere turned and ran wide-eyed from the hall.

Ludowik , never noticing, continued his terrible piping, played as if every note were a skewer through the twitching girl's shoulder-blades.

Guyal ran through the night, and cold air bit at him like sleet. He burst into the shed, and the white horse softly nickered at him. On with the saddle, on with the bridle, away down the streets of old Carchasel, past the gaping black windows, ringing down the starlit cobbles, away from the music of death!

Guyal of Sfere galloped up the mountain with the stars in his face, and not until he came to the shoulder did he turn in the saddle to look back.

The verging of dawn trembled into the stony valley. Where was Carchasel? There was no city—only a crumble of ruins ...

Hark! A far sound? ... No. All was silence.

And yet... No. Only crumbled stones in the floor of the valley.

Guyal, fixed of eye, turned and went his way, along the trail which stretched north before him.

The walls of the defile which led the trail were steep gray granite, stained scarlet and black by lichen, mildewed blue. The horse's hooves made a hollow clop-clop-clop on the stone, loud to Guyal's ears, hypnotic to his brain, and after the sleepless night he found his frame sagging. His eyes grew dim and warm with drowsiness, but the trail ahead led to unseen vistas, and the void in Guyal's brain drove him without surcease.