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Contents ( 26)
  1. TALES OF THE THE DYING EARTH
  2. Table of Contents
  3. The Dying Earth
  4. The Dying Earth
  5. 1. TURJAN OF MIIR
  6. 2. MAZIRIAN THE MAGICIAN
  7. 3. T'SAIS
  8. 4. LIANE THE WAYFARER
  9. 5. ULAN DHOR
  10. 6. GUYAL OF SFERE
  11. The Eyes of the Overworld
  12. Cugels Saga
  13. Cugels Saga
  14. CHAPTER I FROM SHANGLESTONE STRAND TO SASKERVOY
  15. CHAPTER II FROM SASKERVOY TO TUSTVOLD MUD-FLATS
  16. CHAPTER III FROM TUSTVOLD TO PORT PERDUSZ
  17. CHAPTER IV FROM PORT PERDUSZ TO KASPARA VITATUS
  18. CHAPTER V FROM KASPARA VITATUS TO CUIRNIF
  19. CHAPTER VI FROM CUIRNIF TO PERGOLO
  20. Rhialto the Marvellous
  21. Rhilato the Marvellous
  22. Foreword
  23. 1 The Murthe
  24. 2 Fader's Waft
  25. 3 Morreion
  26. Footnotes

2 Fader's Waft

1

By day the sun cast a wan maroon gloom across the land; by night all was dark and still, with only a few pale stars to post the old constellations. Time went at a languid pace, without purpose or urgency, and folk made few long-range plans.

Grand Motholam was three aeons gone; the great masters of magic were extinct, each having suffered a more or less undignified demise: through the treachery of a trusted confidante; or during an amorous befuddlement; or by the machinations of a secret cabal; or through some unexpected and horrifying disaster.

The magicians of this, the 21st Aeon, for the most part resided in the quiet river valleys of Almery and Ascolais, though a few recluses kept to the Land of Cutz in the north, or the Land of the Falling Wall, or even the Steppes of Shwang in the distant east.

By reason of special factors (which lie beyond the scope of this present exposition) the magicians of the day were a various lot; gathered in colloquy, they seemed an assembly of rare and wonderful birds, each most mindful of his own plumage. While, on the whole, lacking the flamboyant magnificence of Grand Motholam, they were no less capricious and self-willed, and only after a number of unhappy incidents were they persuaded to regulate themselves by a code of conduct. This code, known as 'the Monstrament,' or, less formally, 'the Blue Principles,' was engraved upon a blue prism, which was housed in a secret place. The association included the most notable magicians of the region. By unanimous acclaim, Ildefonse was proclaimed Preceptor, and invested with large powers.

Ildefonse resided at Boumergarth, an ancient castle of four towers on the banks of the River Scaum. He had been chosen Preceptor not only for his dedication to the Blue Principles, but also for his equable temperament, which at times seemed almost bland. His tolerance was proverbial; at one turn he might be found chuckling to the lewd jokes of Dulce-Lolo; the next might find him engrossed in the opinions of the ascetic Tchamast, whose suspicions of the female sex ran deep.

Ildefonse ordinarily appeared as a jovial sage with twinkling blue eyes, a bald pate and a straggling blond beard: a semblance which tended to engender trust, frequently to private advantage, and the use of the word 'ingenuous,' when applied to Ildefonse, was probably incorrect.

At this juncture the magicians subscribing to the Blue Principles numbered twenty-two 3. Despite the clear advantages of orderly conduct, certain agile intelligences could not resist the thrill of the illicit and played mischievous tricks, on one occasion performing a most serious transgression against the Blue Principles.

The case involved Rhialto, sometimes known as 'the Marvellous.' He resided at Falu, not far from Wilda Water, in a district of low hills and dim forests at the eastern verge of Ascolais.

Among his fellows Rhialto, for whatever justification, was considered somewhat supercilious and enjoyed no wide popularity. His natural semblance was that of a proud and distinguished grandee, with short black hair, austere features, and a manner of careless ease. Rhialto was not without vanity, which, when taken with his aloof manner, often exasperated his fellows. And certain among them pointedly turned away when Rhialto appeared at a gathering, to Rhialto's sublime indifference.