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Contents ( 26)
  1. TALES OF THE THE DYING EARTH
  2. Table of Contents
  3. The Dying Earth
  4. The Dying Earth
  5. 1. TURJAN OF MIIR
  6. 2. MAZIRIAN THE MAGICIAN
  7. 3. T'SAIS
  8. 4. LIANE THE WAYFARER
  9. 5. ULAN DHOR
  10. 6. GUYAL OF SFERE
  11. The Eyes of the Overworld
  12. Cugels Saga
  13. Cugels Saga
  14. CHAPTER I FROM SHANGLESTONE STRAND TO SASKERVOY
  15. CHAPTER II FROM SASKERVOY TO TUSTVOLD MUD-FLATS
  16. CHAPTER III FROM TUSTVOLD TO PORT PERDUSZ
  17. CHAPTER IV FROM PORT PERDUSZ TO KASPARA VITATUS
  18. CHAPTER V FROM KASPARA VITATUS TO CUIRNIF
  19. CHAPTER VI FROM CUIRNIF TO PERGOLO
  20. Rhialto the Marvellous
  21. Rhilato the Marvellous
  22. Foreword
  23. 1 The Murthe
  24. 2 Fader's Waft
  25. 3 Morreion
  26. Footnotes

He ran back to where the girl awaited him.

"You have not told me your name," she reminded him, "that I may introduce you to my uncle."

"I am Guyal of Sfere, by the River Scaum in Ascolais. And you?"

She smiled, pushing the portal wider. Warm yellow light fell into the cobbled street.

"I have no name. I need none. There has never been any but my uncle; and when he speaks, there is no one to answer but I."

Guyal stared in astonishment; then, deeming his wonder too apparent for courtesy, he controlled his expression. Perhaps she suspected him of wizardry and feared to pronounce her name lest he make magic with it.

They entered a flagged hall, and the sound of piping grew louder.

"I will call you Ameth, if I may," said Guyal. "That is a flower of the south, as golden and kind and fragrant as you seem to be."

She nodded. "You may call me Ameth."

They entered a tapestry-hung chamber, large and warm. A great fire glowed at one wall, and here stood a table bearing food. On a bench sat the musician—an old man, untidy, unkempt. His white hair hung tangled down his back; his beard, in no better case, was dirty and yellow.

He wore a ragged kirtle, by no means clean, and the leather of his sandals had broken into dry cracks.

Strangely, be did not take the flute from his mouth, but kept up his piping; and the girl in yellow, so Guyal noted, seemed to move in rhythm to the tones.

"Uncle Ludowik," she cried in a gay voice, "I bring you a guest, Sir Guyal of Sfere."

Guyal looked into the man's face and wondered. The eyes, though somewhat rheumy with age, were gray and bright—feverishly bright and intelligent; and, so Guyal thought, awake with a strange joy. This joy further puzzled Guyal, for the lines of the face indicated nothing other than years of misery.

"Perhaps you play?" inquired Ameth. "My uncle is a great musician, and this is his time for music. He has kept the routine for many years . .

." She turned and smiled at Ludowik the musician. Guyal nodded politely.

Ameth motioned to the bounteous table. "Eat, Guyal, and I will pour you wine. Afterwards perhaps you will play the flute for us."

"Gladly," said Guyal, and he noticed how the joy on Ludowik's face grew more apparent, quivering around the corners of his mouth.

He ate and Ameth poured him golden wine until his head went to reeling. And never did Ludowik cease his piping—now a tender melody of running water, again a grave tune that told of the lost ocean to the west, another time a simple melody such as a child might sing at his games.

Guyal noted with wonder how Ameth fitted her mood to the music—grave and gay as the music led her. Strange! thought Guyal. But then—people thus isolated were apt to develop peculiar mannerisms, and they seemed kindly withal.