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Contents ( 26)
  1. TALES OF THE THE DYING EARTH
  2. Table of Contents
  3. The Dying Earth
  4. The Dying Earth
  5. 1. TURJAN OF MIIR
  6. 2. MAZIRIAN THE MAGICIAN
  7. 3. T'SAIS
  8. 4. LIANE THE WAYFARER
  9. 5. ULAN DHOR
  10. 6. GUYAL OF SFERE
  11. The Eyes of the Overworld
  12. Cugels Saga
  13. Cugels Saga
  14. CHAPTER I FROM SHANGLESTONE STRAND TO SASKERVOY
  15. CHAPTER II FROM SASKERVOY TO TUSTVOLD MUD-FLATS
  16. CHAPTER III FROM TUSTVOLD TO PORT PERDUSZ
  17. CHAPTER IV FROM PORT PERDUSZ TO KASPARA VITATUS
  18. CHAPTER V FROM KASPARA VITATUS TO CUIRNIF
  19. CHAPTER VI FROM CUIRNIF TO PERGOLO
  20. Rhialto the Marvellous
  21. Rhilato the Marvellous
  22. Foreword
  23. 1 The Murthe
  24. 2 Fader's Waft
  25. 3 Morreion
  26. Footnotes

Rhialto frowned down at his copy of the Monstrament. ' I see no such interdict here. Please indicate the passage which you are citing."

Hache-Moncour took a quick step backward. ' 'If I did so, I would then become guilty of the identical crime we are now discussing. The passage perhaps has been elided by the damage."

"Most peculiar," said Rhialto.

Herark spoke out. "Rhialto, your accusations have been voided by this new crime, and your claims must now be abandoned. Ildefonse, I move that the meeting be adjourned."

"Not so fast," said Ildefonse. "We are suddenly faced with a most complex matter. I suggest that, in view of Hache-Moncour's exposition, we send a committee to Fader's Waft, consisting, let us say, of myself, Eshmiel, Barbanikos, and perhaps Hache-Moncour, there to study the Monstrament quietly and carefully, without reference to our little troubles."

"I will meet you there," said Rhialto. "Even if Hache-Moncour's recollection is correct, which I doubt, I have not quoted from the damaged Monstrament and so am innocent."

"Not so!" declared Hache-Moncour. "You just now examined your spurious document and used it to dispute my statement. Your crime takes precedence and you will be expunged before uttering the first of your charges, which thereupon become moot. Return at this instant to Falu! We will ascribe your conduct to mental disorder."

Ildefonse spoke wearily: "This advice, no matter how well-meant, clearly lacks persuasion. Therefore, as Preceptor, I rule that all present shall go now to Fader's Waft, there to inspect the Monstrament. Our purposes are informational only; we will not disturb the Adjudicator. Come, then! All to Fader's Waft! We will ride in my commodious whirl-away."

5

Ildefonse's majestic whirlaway flew southward, into a region of low rolling hills at the southern edge of Ascolais. Certain of the magicians strolled the upper promenade, intent upon the far vistas of air and cloud; others kept to the lower deck that they might overlook the lands below; still others preferred the leather-cushioned comfort of the saloon.

The time was close upon evening; the near-horizontal light spread odd patterns of red and black shadow across the landscape; Fader's Waft, a hillock somewhat higher and more massive than its fellows, loomed ahead.

The whirlaway settled upon the summit, which, exposed to the draughts of Fader the west wind, was bare and stony. Alighting from the vehicle, the magicians marched across a circular terrace to a six-sided structure roofed with tiles of blue gold.

Rhialto had visited Fader's Waft on a single other occasion, for reasons of simple curiosity. The west wind Fader flapped his cloak as he approached the fane; entering the vestibule he waited for his eyes to adapt to the gloom, then stepped forward into the central chamber.

A pedestal supported the Egg: a spheroid three feet across the widest diameter. A window at one end displayed the Perciplex, a blue prism four inches tall, inwardly engraved with the text of the Monstrament. Through the window the Perciplex projected an image of the Monstrament in legible characters upon a vertical dolomite slab, and so charged with magic was the Perciplex that should an earthquake or other shock cause it to topple, it must right itself immediately, so that it should never present a faulty image, or one which might be misconstrued, to the viewer.