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Contents ( 26)
  1. TALES OF THE THE DYING EARTH
  2. Table of Contents
  3. The Dying Earth
  4. The Dying Earth
  5. 1. TURJAN OF MIIR
  6. 2. MAZIRIAN THE MAGICIAN
  7. 3. T'SAIS
  8. 4. LIANE THE WAYFARER
  9. 5. ULAN DHOR
  10. 6. GUYAL OF SFERE
  11. The Eyes of the Overworld
  12. Cugels Saga
  13. Cugels Saga
  14. CHAPTER I FROM SHANGLESTONE STRAND TO SASKERVOY
  15. CHAPTER II FROM SASKERVOY TO TUSTVOLD MUD-FLATS
  16. CHAPTER III FROM TUSTVOLD TO PORT PERDUSZ
  17. CHAPTER IV FROM PORT PERDUSZ TO KASPARA VITATUS
  18. CHAPTER V FROM KASPARA VITATUS TO CUIRNIF
  19. CHAPTER VI FROM CUIRNIF TO PERGOLO
  20. Rhialto the Marvellous
  21. Rhilato the Marvellous
  22. Foreword
  23. 1 The Murthe
  24. 2 Fader's Waft
  25. 3 Morreion
  26. Footnotes

T'sais closed her eyes to the shifting lights. They rasped her nerves, confused her vision. The red glared, the green stifled, the blues and purples hinted at mysteries beyond knowledge. It was as if the entire universe had been expressly designed with an eye to jarring her, provoking her to fury. ... A butterfly with wings patterned like a precious rug flitted by, and T'sais made to strike at it with her rapier. She restrained herself with great effort; for T'sais was of a passionate nature and not given to restraint. She looked down at the flowers below her horse's feet—pale daisies, blue-bells, Judas-creeper, orange sunbursts.

No more would she stamp them to pulp, rend them from their roots. It had been suggested to her that the flaw lay not in the universe but in herself. Swallowing her vast enmity toward the butterfly and the flowers and the changing lights of the sky, she continued across the meadow.

A bank of dark trees rose above her, and beyond were clumps of rushes and the gleam of water, all changing in hue as the light changed in the sky. She turned and followed the river bank to the long low manse.

She dismounted, walked slowly to the door of black smoky wood, which bore the image of a sardonic face. She pulled at the tongue and inside a bell tolled. There was no reply. "Pandelume!" she called.

Presently there was a muffled answer: "Enter." She pushed open the door and came into a high-ceilinged room, bare except for a padded settee, a dim tapestry.

"What is your wish?" The voice, mellow and of an illimitable melancholy, came from beyond the wall.

"Pandelume, today I have learned that killing is evil, and further that my eyes trick me, and that beauty is where I see only harsh light and evil forms."

For a period Pandelume maintained a silence; then the muffled voice came, replying to the implicit plea for knowledge.

"That is, for the most part, true. Living creatures, if nothing else, have the right to life. It is their only truly precious possession, and the stealing of life is a wicked theft. ... As for the other, the fault is not with you.

Beauty lies everywhere free to be seen by all—by all except you. For this I feel sorrow, for I created you. I built your primal cell; I stamped the strings of life with the pattern of your body and brain. And in spite of my craft I erred, so that when you climbed from the vat, I found that I had molded a flaw into your brain; that you saw ugliness in beauty, evil in good. True ugliness, true evil you have never seen, for in Embelyon there is nothing wicked or foul . . . Should you be so unfortunate to encounter these, I fear for your brain."

"Cannot you change me?" cried T'sais. "You are a magician. Must I live my life out blind to joy?"