Back Take Me Home Tonight
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGMENTS
  5. PART ONE 1:30 p.m.–4:15 p.m.
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. PART TWO 4:15 p.m.–5:25 p.m.
  11. CHAPTER 5
  12. CHAPTER 6
  13. Meanwhile, back in Connecticut…
  14. CHAPTER 7
  15. CHAPTER 8
  16. PART THREE 5:25 p.m.–9:25 p.m.
  17. CHAPTER 9
  18. CHAPTER 10
  19. CHAPTER 11
  20. Meanwhile, back in Connecticut…
  21. CHAPTER 12
  22. CHAPTER 13
  23. Meanwhile, back in Connecticut…
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. Meanwhile, somewhere in upstate New York…
  29. CHAPTER 18
  30. CHAPTER 19
  31. Meanwhile, somewhere on Highway 81…
  32. CHAPTER 20
  33. PART FOUR 9:25 p.m.–11:11 p.m.
  34. Meanwhile, in Brockville (Ontario) (Canada)…
  35. CHAPTER 21
  36. CHAPTER 22
  37. CHAPTER 23
  38. CHAPTER 24
  39. CHAPTER 25
  40. Meanwhile, back in Canada…
  41. CHAPTER 26
  42. CHAPTER 27
  43. PART FIVE 11:11 p.m.–3:00 a.m.
  44. Meanwhile, in [Redacted X X X X]…
  45. CHAPTER 28
  46. Meanwhile, back in Connecticut…
  47. CHAPTER 29
  48. PART SIX Saturday
  49. CHAPTER 30
  50. PART SEVEN February
  51. CHAPTER 31
  52. CHAPTER 32
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY MORGAN MATSON

Twenty minutes later—I knew because there was a crooked wall clock in the lobby—Mr. Campbell came out of the theater, his scarf trailing behind him. He smiled when he saw me, then grabbed the folding chair next to me, turning it around to sit backward in it. “The work of a director is never done,” he said with a chuckle, and I laughed—not because it was funny but because, I realized, I was supposed to.

“I actually can’t stay too long,” I said, starting to edge off my seat. “This was just—so fun, but it’s getting late, and I have to get a train—”

“But I haven’t even heard what you thought of the play! I’d love to get your review.” He gave me a smile and folded his arms, nodding for me to commence.

I took a deep breath—I knew exactly what I was supposed to do here. Like it was a character I was playing, I knew what was expected. For me to be gushing and over-the-top; complimentary and awed. Wide-eyed and dazzled.

It was like I could practically see the script flashing in front of me, and there was only one option as to how to play this. It was the same thing, I realized, when he was directing us. You could state an opinion, maybe argue a point or two, but in the end, you were going to play the role how he wanted you to play it. And if you fought against it, you didn’t get cast next time. Everyone knew it without anyone having to spell it out.

But tonight, this was a gear that I couldn’t quite find. The play had been so bad, and seeing it had made me miss getting to Stevie. And in light of those things, I couldn’t be the Kat who would have lied through her teeth and gushed over it. She suddenly felt like a whole other person. But the longer I wrestled with this, the longer my silence stretched on, which I knew was only making things worse. “It, um,” I said, trying desperately to think of something that wouldn’t involve me either telling the truth or lying, which was—not surprisingly—a difficult needle to thread. “It reminded me of that really old movie? The Big Chill? Have you seen it?”

“I’ve seen The Big Chill,” he said, starting to sound annoyed. “And I’m not sure I’d call it really old, but…” He stopped and shook his head.

The theater door opened and one of the actresses stuck her head out. “Are we cut?” she asked. “Bob needs to get his ferry.”