Contents ( 34)
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Chapter Twenty-seven
- Chapter Twenty-eight
- Chapter Twenty-nine
- Chapter Thirty
- Chapter Thirty-one
- Chapter Thirty-two
- Chapter Thirty-three
- Chapter Thirty-four
One area of the lab had retained the casual chaos that had been its major theme before I'd taken up nearly full-time residence last year. One shelf, still battered old wood, hadn't been changed or updated. Candleholders, covered in multiple shades of melted wax that had spilled down over them, sat at either end of the shelf. Between them was a scattering of various articles-a number of battered paperback romances, several Victoria's Secret catalogs, a scarlet scrap of a silk ribbon that had been tied into a bow on a naked young woman named Justine, one bracelet from a broken set of handcuffs, and a bleached old human skull.
"Bob, wake up," I said, lighting candles. "I need to pick your brain."
Lights, orange and nebulous, kindled deep in the shadows of the skull's eye sockets. The skull quivered a little bit on its shelf and then stretched its toothy mouth open in an approximation of a yawn. "So was the kid right? Was there some portent-type action going on?"
"Rain of toads," I said.
"Real ones?"
"Yeah."
"Ouch," said Bob the Skull. Bob wasn't really a skull. The skull was just a vessel for the spirit of intellect that resided inside and helped me keep track of the constantly evolving metaphysical laws that govern the use of magic. But "Bob the Skull" is a lot easier to say than "Bob the Spirit of Intellect and Lab Assistant."
I nodded, breaking out my Bunsen burners and beakers. "Tell me about it. Look, Bob, I've got kind of a difficult situation here and-"
"Harry, you aren't going to be able to do this. There is no cure for vampirism. I like Susan too, but it can't be done. You think people haven't looked for a cure before now?"
" I haven’t looked for one before now," I said. "And I've had a couple of ideas I want to look at."
"Aye, Cap'n Ahab, arr har har har! We'll get that white devil, sir!"
"Damn right we will. But we've got something else to do first."
Bob's eyelights brightened. "You mean something other than hopeless, pointless vampire research? I'm already interested. Does it have to do with the rain of toads?"
I frowned, got out a pad of paper and a pencil, and started scratching things down. Sometimes that helped me sort things out. "Maybe. It's a murder investigation."
"Gotcha. Who's the corpse?"
"Artist. Ronald Reuel."
Bob's eyelights burned down to twin points. "Ah. Who is asking you to find the killer?"
"We don't know he was killed. Cops say it was an accident."
"But you think differently."
I shook my head. "I don't know a thing about it, but Mab says he was killed. She wants me to find the killer and prove that it wasn't her."
Bob fell into a shocked silence nearly a minute long. My pen scratched on the paper until Bob blurted, "Mab? The Mab, Harry?"
"Yeah."
"Queen of Air and Darkness? That Mab?"
"Yeah," I said, impatient.