Back Summer in the City
Chapters (54)
  1. Cover
  2. About the Author
  3. Also by Fiona Collins
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. Three Months Later
  53. Acknowledgements
  54. THIS IS JUST THE BEGINNING

We arrive at the iron bridge, turn right at the towpath and go down to the locks. There are sloping flagstones to negotiate; areas of welcome shade. Volunteers are sweeping the lockside brickwork free of dust and weeds; a man is turning the lock of a narrow boat with a giant windlass. I describe everything to Dad as best I can: the canal boats waiting to pass through the lock; the green algae on the undisturbed sections of water; the weeping willow that arcs over the canal and nods in the sun. It’s tranquil here, compared to the street. I came here quite a lot with my friend, Kemp, the photographer. He lived not far from here, in a houseboat at Wenlock Basin. I wonder if he’s still there. He liked to take shots of the water and the weeping willow and the boats, and I would watch him and try not to blurt out that I loved him.

Dad nods as I speak, his face set and unreadable. After a while we return to the bridge and continue down Camden High Street in the direction of Camden Town tube station, with the milling souvenir seekers dazzled by sunglasses and T-shirts and jewellery and Union Jack paraphernalia crammed below shop awnings under coloured buildings. Dad asks me if the record shop is still here.

‘Which record shop?’

‘Pete’s Records? The other side of the road.’

I look. ‘Yes, it’s there.’

‘Come on, then.’

We avoid a pair of chuggers in orange vests and cross the road to the record shop. Dad used to live for music. It used to be in the centre of our Venn diagram, if one existed for Dad and me: a common love, with architecture in the sole portion of Dad’s circle, and absolutely nothing in mine. Dad has been a bit of a Mod since the late 70s, when he got swept up in the revival; he loves all that music and its tributaries. When he went blind in the summer of 1980, it was not long after the film Quadrophenia came out (he’d been to the cinema to see it three times with Jack Templeton), and when it was out on video he’d listen to it over and over again, reciting the dialogue. He had The Who soundtrack, too. Quadrophenia used to drive Angela and me mad.