Back Summer in the City Save as PDF
Chapters (54)
  1. Cover
  2. About the Author
  3. Also by Fiona Collins
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. Three Months Later
  53. Acknowledgements
  54. THIS IS JUST THE BEGINNING

The courtyard of The Monastery must be one of the most beautiful places in London to dine in, I think, as I stand a little unsteadily at its entrance, and definitely one of the most exclusive, as it’s absolutely tiny. Accessed by a damp, dark passageway I’m glad I researched first on Google Maps – a wafer slotted between an old-fashioned cobbler’s and a South African deli – the courtyard has cloisters on all four sides (each with three arches bowed with plump and weeping wisteria); a yellow flagstone floor both cracked and polished by centuries of shuffling monks’ feet; a scattering of round stone planters stuffed with miniature palms; and, apparently, an incredible survival instinct, as it’s all that remains of the original, much larger Cassinese de Londres Monastery the Luftwaffe bombed to smithereens in the Second World War.

Half the quadrangle is currently in bright sunshine, the other half in shade. The courtyard is beautifully open to the elements; the squared-off sky an azure blue above us – and by ‘us’ I mean a suited-and-booted maître d’ who is standing next to me and tutting into a leather clipboard because I am early.

‘Follow me, madam.’

With a tap on the clipboard and a condescending sigh, the maître d’ reluctantly walks me through the courtyard to the table Salvi has booked – one of only ten in the restaurant, which Google says in the winter are moved to The Orangery in the minuscule modern annexe I can spy through one of the arches.

The heels of my gold sandals skitter precariously on the flagstones. The skirt of my dress flips nicely against my legs. I’m glad I’m here early: I want to sit and catch my breath and try to sober up. Drunk at lunchtime before you’ve even had the lunch is not a good look.

The table is in the sunny half of the courtyard and when the maître d’ goes to pull out the chair on the side facing the sun I say, ‘Actually, can I …?’ and scoot round to the chair that allows me to have my back to the sun and a view of one of the cloisters.

‘Thank you,’ I say, as he tuts under his breath and lifts the chair back for me, and I try not to think of Kemp pushing back his, before, when he stood up, and how I fled, yet again. Self-preservation, my old friend …

The cloister and its wisteria are lovely. A waitress comes over and I order a sparkling water with loads of ice and lemon. I guzzle it down like a buffalo at a watering hole, staring at the wisteria. I think about ordering another, then I decide I don’t want to be sober, after all. I order a large glass of white wine. At quarter past two, a hand plomps on my right shoulder and Salvi is at my ear.