Back Summer in the City Save as PDF
Chapters (54)
  1. Cover
  2. About the Author
  3. Also by Fiona Collins
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. Three Months Later
  53. Acknowledgements
  54. THIS IS JUST THE BEGINNING

I didn’t really know Kemp at school. I mean, we were in the same art class, for GCSEs, but despite being generally smiley and quite bouncy, he was an enigma. A loner. He was always in the darkroom, emerging like an abashed vole with his shaggy New Romantic hair all messed up and a grin both joyous and sheepish, smelling of those weird chemicals and clutching photograph after photograph he had developed: people, buildings, animals, landscapes; everything. Colour, black-and-white, sepia. Not that I was watching.

He didn’t seem to have any particular friends. There was one boy – David somebody – a peer-besmirched ‘speccy runt’, who he hung around with a lot but who moved away in the third year. Then there was just Kemp and his darkroom. I heard Kemp’s mum was a hoarder, the sort they make programmes about now, and his dad an obsessive jigsaw doer, in a summerhouse at the bottom of the garden. That they had a cat they only allowed out on a piece of elastic, which stretched as far as that summerhouse and no further. No one really knew for sure, but it stopped him being popular. It deterred girls from finding him good-looking. His smiles were declared creepy and his bounciness viewed with suspicion. He had a cat on elastic.

I was not an enigma. I was viewed not with suspicion but with contempt. I was an ugly non-entity who did straight-up drawing, still life, painting onions and things. And I didn’t see Kemp for many years, after we left school. Then one day in my early twenties, not long before I got my first job at the conference centre, I bumped into him when I was waiting in a lay-by for Dave, the man in a blue van who picked me up every morning when we worked together going around pubs and leisure centres collecting cash from vending machines. Sheryl Crow wrote a song about a vending machine repairman once; in the song he picked her up when she was hitch-hiking and it was quirky and cool – he had a daughter named Easter and was surprisingly intellectual. Riding in the van with Dave was far from that. He ate stinky pasties, played Westlife CDs and had a daughter called Big Stacey. Anyway, one morning there was a whistle – not a wolf whistle but a ‘Lookee here!’ kind of whistle – and Kemp from school came bounding towards me. I’d just told a couple of giggling teenagers – identikit Impulse body spray and frosted-pink lipstick – who were giggling at my face from a nearby bus stop to ‘Piss off!’

‘Do you need any help?’ he asked me.

‘No, I’ve dispatched them, thanks,’ I said.

He laughed. ‘Good for you. Haverstock Comprehensive, right? Art class?’

‘Yeah.’