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Contents ( 41)
  1. Sum: Forty Tales from the Afterlives
  2. Sum
  3. Egalitaire
  4. Circle of Friends
  5. Descent of Species
  6. Giantess
  7. Mary
  8. The Cast
  9. Metamorphosis
  10. Missing
  11. Spirals
  12. Scales
  13. Adhesion
  14. Angst
  15. Oz
  16. Great Expectations
  17. Mirrors
  18. Perpetuity
  19. The Unnatural
  20. Distance
  21. Reins
  22. Microbe
  23. Absence
  24. Will-o’-the-Wisp
  25. Incentive
  26. Death Switch
  27. Encore
  28. Prism
  29. Ineffable
  30. Pantheon
  31. Impulse
  32. Quantum
  33. Conservation
  34. Narcissus
  35. Seed
  36. Graveyard of the Gods
  37. Apostasy
  38. Blueprints
  39. Subjunctive
  40. Search
  41. Reversal

His face twitches with painful trickles of reminiscence.

“But no one would have guessed what happened next: a great sheet of meteors rained down, incendiary hydrogen clouds crushed in, and these were followed by a multitude of black holes that mercilessly swallowed up the flying chunks and dust and the last light of remembrance. No one survived.

“In all probability, this was neutral to her. It might have been an immune system response. Or she might have been scratching an itch, or sneezing, or getting a biopsy.

“So we discovered that we can communicate with her, but we cannot communicate meaningfully. We are of insufficient size. What can we say to her? What question could we ask? How could she communicate an answer back to us? Perhaps that was her attempt to answer. What could you ask her to do that would have relevance to your life? And if she told you what was of importance to her, could you understand her answer? Do you think it would have any meaning at all if you displayed one of your Shakespearean plays to a bacterium? Of course not. Meaning varies with spatial scale. So we have concluded that communicating with her is not impossible, but it is pointless. And that is why we are now hunkered down silently on the surface of this noiseless planet, whispering through a slow orbit, trying not to draw attention to ourselves.”

Mary

When you arrive in the afterlife, you find that Mary Wollstonecraft Shelley sits on a throne. She is cared for and protected by a covey of angels.

After some questioning, you discover that God’s favorite book is Shelley’s Frankenstein. He sits up at night with a worn copy of the book clutched in His mighty hands, alternately reading the book and staring reflectively into the night sky.

Like Victor Frankenstein, God considers Himself a medical doctor, a biologist without parallel, and He has a deep, painful relationship with any story about the creation of life. He has much to say about bringing animation to the unanimated. Very few of His creatures had thought deeply about the challenges of creation, and it relieved Him a little of the loneliness of His position when Mary wrote her book.

The first time He read Frankenstein, He criticized it the whole way through for its oversimplification of the processes involved. But when He reached the end He was won over. For the first time, someone understood Him. That’s when He called for her and put her on a throne.

To understand His outpouring of feeling, you must understand the trajectory of God’s medical career. God discovered the principles of self-organization by experimenting with yeast and bacteria. He reveled in the beauty of His inventions. Once He mastered the general principles, His inventions became increasingly sophisticated. With artistic flair He sewed together the astounding platypus, the compact beetle, the weighty woolly mammoth, the glistening pods of dolphins. His skills became razor-sharp and keen, and His accurate fingers fashioned—with blinding ambitious accuracy—all the animals at the limits of His vast imagination.