Contents ( 41)
- Sum: Forty Tales from the Afterlives
- Sum
- Egalitaire
- Circle of Friends
- Descent of Species
- Giantess
- Mary
- The Cast
- Metamorphosis
- Missing
- Spirals
- Scales
- Adhesion
- Angst
- Oz
- Great Expectations
- Mirrors
- Perpetuity
- The Unnatural
- Distance
- Reins
- Microbe
- Absence
- Will-o’-the-Wisp
- Incentive
- Death Switch
- Encore
- Prism
- Ineffable
- Pantheon
- Impulse
- Quantum
- Conservation
- Narcissus
- Seed
- Graveyard of the Gods
- Apostasy
- Blueprints
- Subjunctive
- Search
- Reversal
This is the proffered prediction but, fortunately for us, the physicists have slightly miscalculated. Missing from their equations is the fact that the quark loves us too much to allow this to happen. It cares about its creation and knows it would break our hearts to see through the veneer.
So it has a slightly different plan. It will end the world in sleep. All the quark’s creatures will curl up where they are. Morning commuters in suits will sink softly into slumber behind their steering wheels. Highways, locomotives, and subways will slow to a muted halt. Office workers will make themselves drowsily comfortable on the floors and hallways of their tall buildings. The squares of the world’s capitals will drift into silence. Farmers in their wheat fields will doze off as midflight insects touch down softly like snowflakes. Horses will arrest their gallop and relax into a standing slumber. Black jaguars in trees will lower their chins to their paws on the branches. This is how the world will close, not with a bang but a yawn: sleepy and contented, our own falling eyelids serving as the curtain for the play’s end.
This way, the quark’s beloved creations will be unable to witness what happens next. What happens next is the world’s recession, the unraveling of the planet. As the quark slows, its individual pencil strokes become increasingly sparse until the world resembles a crosshatched woodcut. The sleeping bodies become transparent netting through which the other side can be seen. As the pencil marks grow fewer, the asphalt highways become a sparse lacing of black strokes, with nothing below but the other side of the planet, one Earth-diameter away. The world’s canvas devolves into a thin sketch of outlines. The remaining strokes, one by one, disappear from the latticework, drawing the cosmos toward a more complete blankness.
In the end, spent, the quark slows to a halt at the center of infinite emptiness.
Here it takes its time, catching its breath. It will wait several thousand millennia until it regains the stamina and optimism to try again. So there is no afterlife, but instead a long intermission: all of us exist inside the memory of the particle, like a fertilized egg waiting to unpack.
Narcissus
In the afterlife you receive a clear answer about our purpose on the Earth: our mission is to collect data. We have been seeded on this planet as sophisticated mobile cameras. We are equipped with advanced lenses that produce high-resolution visual images, calculating shape and depth from wavelengths of light. The cameras of the eyes are mounted on bodies that carry them around—bodies that can scale mountains, spelunk caves, cross plains. We are outfitted with ears to pick up air-compression waves and large sensory sheets of skin to collect temperature and texture data. We have been designed with analytic brains that can get this mobile equipment on top of clouds, below the seas, onto the moon. In this way, each observer from every mountaintop contributes a little piece to the vast collection of planetary surface data.