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Chapters (64)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. THE GUNNER’S DAUGHTER
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. ARMORED COFFINS
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. THE FLEET
  40. Chapter 34
  41. Chapter 35
  42. Chapter 36
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. A STREAK OF GOD
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Chapter 48
  56. Chapter 49
  57. Chapter 50
  58. Chapter 51
  59. Chapter 52
  60. Chapter 53
  61. Chapter 54
  62. Chapter 55
  63. Chapter 56
  64. ON DISTANT SERVICE

“Seducing an Assistant Secretary of the Navy into hiring her to shoot movies of the Great White Fleet steaming through the Golden Gate into San Francisco. At least, that’s how she got the job filming the fleet’s departure from Hampton Roads last winter, so I assume she’s using the same tactics. Why do you ask?”

“This is strictly between us,” Bell replied seriously. “But Mademoiselle Duvall has had a long affair with a French Navy captain.”

“Oh, of course! Sometimes when she’s being very eye-battingly mysterious she’ll hint about ‘Mon Capitaine.’”

“Mon Capitaine happens to specialize in dreadnought research—which is to say, the Frenchman is a spy, and she is likely working for him.”

“A spy? She’s such a flibbertigibbet.”

“The Navy Secretary gave Joe Van Dorn a list of twenty foreigners who’ve been poking around Washington and New York on behalf of France, England, Germany, Italy, and Russia. Most look like flibbertigibbets, but we’ve got to investigate each of them.”

“No Japanese?”

“Plenty. Two from their embassy—a naval officer and a military attaché. And a tea importer who lives in San Francisco.”

“But what could Mademoiselle Duvall possibly film for the French Navy that the rest of us can’t?”

“Filming could be her excuse to get close to American Navy officers who might talk too much to an attractive woman. What did you mean, ‘the rest of us.’ Are you filming the Fleet, too?”

“Preston Whiteway just got in touch.”

Bell’s eyes narrowed slightly. The wealthy Whiteway had inherited several California newspapers. He had expanded them into a powerful chain of the yellowest yellow journalism type, and a movie newsreel company that Marion had started up for him before she came east to make moving pictures.

“Preston asked me to shoot the Fleet arriving in San Francisco for Picture World.”

“Preston’s newspapers are predicting war with Japan within the week.”

“He’ll print anything to sell a newspaper.”

“Is this a one-time job?”

“I would not be working for him as an employee, you can be sure, but as a highly paid contractor. I could squeeze it in between the movies I’m shooting here. What do you think?”

“I have to hand it to Whiteway. He is certainly persistent.”

“I don’t think he sees me that way anymore—Why are you l aughing?”

“I believe he is still male and in possession of his eyesight.”

“I mean that Preston knows that I am not available.”

“By now that should have sunk in,” Bell agreed. “If memory serves, the last time he was in our company you threatened to shoot him. When do you leave?”

“Not before the first of May.”

“Good. They’re launching the Michigan next week. Captain Falconer will throw a big party. I was hoping you could come with me.”

“I’d love to.”