Chapters (64)
- Title Page
- Copyright Page
- Dedication
- THE GUNNER’S DAUGHTER
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- ARMORED COFFINS
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- THE FLEET
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- A STREAK OF GOD
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- ON DISTANT SERVICE
“Seducing an Assistant Secretary of the Navy into hiring her to shoot movies of the Great White Fleet steaming through the Golden Gate into San Francisco. At least, that’s how she got the job filming the fleet’s departure from Hampton Roads last winter, so I assume she’s using the same tactics. Why do you ask?”
“This is strictly between us,” Bell replied seriously. “But Mademoiselle Duvall has had a long affair with a French Navy captain.”
“Oh, of course! Sometimes when she’s being very eye-battingly mysterious she’ll hint about ‘Mon Capitaine.’”
“Mon Capitaine happens to specialize in dreadnought research—which is to say, the Frenchman is a spy, and she is likely working for him.”
“A spy? She’s such a flibbertigibbet.”
“The Navy Secretary gave Joe Van Dorn a list of twenty foreigners who’ve been poking around Washington and New York on behalf of France, England, Germany, Italy, and Russia. Most look like flibbertigibbets, but we’ve got to investigate each of them.”
“No Japanese?”
“Plenty. Two from their embassy—a naval officer and a military attaché. And a tea importer who lives in San Francisco.”
“But what could Mademoiselle Duvall possibly film for the French Navy that the rest of us can’t?”
“Filming could be her excuse to get close to American Navy officers who might talk too much to an attractive woman. What did you mean, ‘the rest of us.’ Are you filming the Fleet, too?”
“Preston Whiteway just got in touch.”
Bell’s eyes narrowed slightly. The wealthy Whiteway had inherited several California newspapers. He had expanded them into a powerful chain of the yellowest yellow journalism type, and a movie newsreel company that Marion had started up for him before she came east to make moving pictures.
“Preston asked me to shoot the Fleet arriving in San Francisco for Picture World.”
“Preston’s newspapers are predicting war with Japan within the week.”
“He’ll print anything to sell a newspaper.”
“Is this a one-time job?”
“I would not be working for him as an employee, you can be sure, but as a highly paid contractor. I could squeeze it in between the movies I’m shooting here. What do you think?”
“I have to hand it to Whiteway. He is certainly persistent.”
“I don’t think he sees me that way anymore—Why are you l aughing?”
“I believe he is still male and in possession of his eyesight.”
“I mean that Preston knows that I am not available.”
“By now that should have sunk in,” Bell agreed. “If memory serves, the last time he was in our company you threatened to shoot him. When do you leave?”
“Not before the first of May.”
“Good. They’re launching the Michigan next week. Captain Falconer will throw a big party. I was hoping you could come with me.”
“I’d love to.”