Chapters (64)
- Title Page
- Copyright Page
- Dedication
- THE GUNNER’S DAUGHTER
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- ARMORED COFFINS
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- THE FLEET
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- A STREAK OF GOD
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- ON DISTANT SERVICE
“Are you all right?” She didn’t sound all right. Her voice was tight with tension.
“Could you stop by when you have a moment?”
“I’ll be right there.”
“They’ll let you in the stage door.”
Bell ran down the Knickerbocker’s grand staircase three steps at a time and set off a blast of horns, bells, and angry shouts as he ran through the moving wall of autos, streetcars, and horse carts that blocked Broadway. Sixty seconds after dropping the telephone, he pounded on the Victoria’s stage door.
“Miss Morgan is waiting for you in the house, Mr. Bell. Through there. Go in quietly, please. They’re rehearsing.”
A high-speed, rhythmic tapping echoed from the stage, and when he flung open the door he was surprised to discover that the source of all the noise was a small boy and a tall girl dancing in shoes with wooden soles. He exhaled in relief when he saw Marion sitting alone, safe and sound, in the eighth row of the partially darkened empty house. She pressed a finger to her lips. Bell glided up the aisle and sat beside her, and she took his hand, and whispered, “Oh, my darling, I’m so glad you’re here.”
“What happened.”
“I’ll tell you in a minute. They’re almost done.”
The orchestra, which had been waiting silently, burst into a crescendo, and the dance was over. The children were instantly surrounded by the director, the stage manager, costumers, and their mother.
“Aren’t they wonderful? I found them on the Orpheum Circuit in San Francisco. The top vaudeville circuit. I’ve persuaded their mother to let them appear in my new movie.”
“What happened to your movie about the bank robbers?”
“The detective’s girlfriend caught them.”
“I suspected she would. What’s wrong? You don’t sound yourself. What happened?”
“I’m not sure. I may be silly, but it seemed sensible to call you. Did you ever meet Katherine Dee?”
“She’s a friend of Dorothy Langner. I’ve seen her at a distance. I’ve not met her.”
“Lowell introduced her to me at the Michigan launching. She hinted that she would like to come out to the movie studio. It was on the tip of my tongue to invite her. She looks like she might be one of those creatures the camera is so fond of—you know, as I’ve told you, the large head, fine features, slight torso. Like that boy you just saw dancing.”
Bell glanced at the stage. “He looks like a praying mantis.”
“Yes, the narrow head, the big, luminous eyes. Wait ’til you see him smile.”
“I gather you did not invite Katherine Dee. What changed your mind?”
“She’s very strange.”
“How?”
“Call it what you will. Intuition. Instinct. Something about her does not ring true.”
“Never deny a gut feeling,” said Bell. “You can always change your mind later.”