Chapters (64)
- Title Page
- Copyright Page
- Dedication
- THE GUNNER’S DAUGHTER
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- ARMORED COFFINS
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- THE FLEET
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- A STREAK OF GOD
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- ON DISTANT SERVICE
It struck Bell that a key difference between Marion and Dorothy was how they regarded men. Dorothy wondered whether she could add one to her list of conquests. Whereas Marion Morgan had no doubt she could conquer and therefore was not inclined to bother. It showed in their smiles. Marion’s smile was as engaging as an embrace. Dorothy’s was a dare. But Bell could not ignore her desperate fragility, despite her bold manner. It was almost as if she were putting herself forth and asking to be saved from the loss of her father. And he did not believe that Ted Whitmark was the man to do that.
“Bell, isn’t it?” Whitmark called loudly as he bustled up.
“Isaac Bell.”
He saw tugboats gathering in the river to take charge of the hull when she hit the water. “Excuse me. I’m expected on the ways.”
YAMAMOTO KENTA HAD STUDIED photographs of American warship launchings to choose his costume. He could not disguise that he was Japanese. But the less alien his clothes, the farther he could roam the shipyard and the closer he could approach the distinguished guests. Observing his fellow travelers on the train up from Washington, he was proud to see that he had dressed perfectly for the occasion in a pale blue-and-white seersucker suit and a pea green four-in-hand necktie matched by the color of his straw boater’s hatband.
At the shipyard in Camden, he doffed the boater repeatedly in polite acknowledgment of ladies, important personages, and older gentlemen. The first person he had run into upon arriving at the remarkably up-to-date Camden shipyard was Captain Lowell Falconer, the Hero of Santiago. They had spoken late last fall at the unveiling of a bronze tablet to commemorate Commodore Thomas Tingey, the first commandant of the Washington Navy Yard. Yamamoto had given Falconer the impression that he had retired from the Japanese Navy holding the rank of lieutenant before returning to his first love, Japanese art. Captain Falconer had given him a cursory tour of the arsenal with the notable exception of the Gun Factory.
This morning, when Yamamoto congratulated Falconer on the imminent launch of America’s first dreadnought, Falconer had replied with a wry “almost dreadnought” on the assumption—from one sea dog to another—that a former officer of the Japanese Navy would recognize her shortcomings.
Yamamoto touched his brim once again, this time for a tall, striking blond woman.
Unlike the other American ladies who streamed past with chilly nods for “that puny Asiatic,” as he had heard one murmur to her daughter, she surprised him with a warm smile and the observation that the weather had turned lovely for the launching.